Tag: Favorite Songs (Page 5 of 6)

Favorite Songs Of 2012: #16

“Lafaye” – School Of Seven Bells

(Administrative note: the countdown will continue over the weekend, so check back Saturday and Sunday for songs #15 and #14.)

I’ve always enjoyed sub-genres like Dream Pop and Shoegaze. Noisy, atmospheric realms where lyrics are often difficult to discern, but where you can close your eyes and completely disappear inside the soundscape.

School Of Seven Bells’ Ghostory was my favorite Dream Pop album of the year. It is loaded with tracks that build and crest and swirl around you, each topped with Alejandra Deheza’s heavenly vocals.

I don’t know if this is the best song on Ghostory. But it is the most perfect. It doesn’t push the musical boundaries the way some of their other songs do, but that chorus is lush and gorgeous and inescapable.

Favorite Songs Of 2012: #17

“Groundhog Day” – Corin Tucker Band

The second 1990s indie rock hero to make the list, Tucker was one of the founding women of the Riot Grrrl movement. With Carrie Brownstein she formed Sleater-Kinney, a band that helped to set the standard for women who wanted to make intelligent, socially-conscious music that also rocked hard.

She hits all those points here. Smart? Check. Socially conscious? She doesn’t know how not to be. And rocks? Hell yes. In the process she issues a challenge to her fellow Gen Xers: just because we’ve grown older, started careers and families, and lost some of the passion we had 20 years ago, there’s no excuse not to try to improve the world around us.

Favorite Songs Of 2012: #18

“Peacemaker” – Jesca Hoop

Massive.

That’s the word that pops into my head each time I listen to this song. It is huge, punching you in the mouth and demanding your attention. Even if you wanted to, you couldn’t turn it off or skip to the next track. But why would you? It’s freaking brilliant.

Hoop’s genius is combing vaguely Siouxsie & The Banshees-esque music with those killer, tribal drums and then putting her modern spin on an ancient Greek tale of women withholding sex from their men in order to end war. The music sucks you in. Her lyrics make sure you can’t, won’t ignore it.

She pulls no punches, either, making it the dirtiest song of the year, too. So listen cautiously.

Favorite Songs Of 2012: #19

“October” – The Helio Sequence

Echoing early U2, this Portland duo offered a gorgeous set of atmospheric pop on their Negotiations album. This track fits the month it is named after perfectly. Warm, with a hint of a chill in the background. A reminder that no matter how perfect things may seem, there is always something just below the surface that can upset them.

Favorite Songs Of 2012: #20

“Star Machine” – Bob Mould

Last summer was was the summer of Mould. In July, all three Sugar albums got the remaster/rerelease treatment and I spent a couple weeks wallowing in Mould’s epic, mid-90s pop. It came as a surprise six weeks later when he dropped a new solo album, a nifty recreation of the classic Sugar sound. Like another 50-something artist from Minneapolis, he can still crank out peerless pop when he sets his mind to it.

Favorite Songs Of 2012

I wonder how many songs I listened to this year. Thing is, despite using multiple tools to track what I listen to and how often I do so, I purge so many tracks after sampling them a time or two, that I would imagine the majority of the songs I screen are buried deep in a virtual pit of 1s and 0s. So there’s no real way of knowing exactly how many individual tracks I listened to over the past 12 months.

Which means, I guess, it takes a lot to impress me and not get relegated to my digital trash heap. This year was full of epic singles and fantastic albums that comforted me, helped me pass time, and served as a soundtrack to the events of my 2012.

I always like to look at my favorites list and see if there were any trends for the year. Based on the 20 songs I’ve selected for 2012, it was a year that rocked. It was a year that fell heavily under the influence of the 1980s. It was a year full of dream pop. And it was a year in which women pleased me more than they’ve pleased me in the past1. Ten of the 20 songs feature women on vocals, and an 11th is by a group that has male-female co-lead singers; it just happens to be one of the guy’s songs. To put that in perspective, only once in the last seven years, the years I’ve posted my year-end favorites, have female artists had more than five of my top 20/25 songs.2

So here is the raw list of my favorite songs of 2012. Over the next few weeks I’ll be sharing them individually, with videos (when available) and longer comments on why I loved them.

20 – “Star Machine” – Bob Mould
19 – “October” – The Helio Sequence
18 – “Peacemaker” – Jesca Hoop
17 – “Goundhog Day” – Corin Tucker Band
16 – “Lafaye” – School Of Seven Bells
15 – “Answering Machine” – Scout
14 – “You Kill” – Eternal Summers
13 – “Capricornia” – Allo, Darlin’
12 – “Broken Arrows” – Francisco The Man
11 – “State Hospital” – Frightened Rabbit
10 – “Watch The Corners” – Dinosaur Jr
9 – Sixteen Saltines” – Jack White
8 – “Wrist Rocket” – Wussy
7 – “Endless Shore” – Melody’s Echo Chamber
6 – “The Rifle’s Spiral” – The Shins
5 – “Sinful Nature” – Bear In Heaven
4 – “Serpents” – Sharon Van Etten
3 – “Myth” – Beach House
2 – “Season In Hell” – Dum Dum Girls
1 – “The House That Heaven Built” – Japandroids


  1. Holy double entendre! 
  2. I’ve varied the amount over the years, although 20 is the most common number. 

Best Music Of 2010, Part 3

As the numbers get smaller, the hits get bigger!

Here we are. The end of another year. I’ve listened to a lot of music over the past 11 1/2 months. iTunes tells me I’ve added over 700 songs over that period. I would guess that I’ve sampled well over twice that number, often giving songs a listen or two and if they didn’t meet my stringent standards, I chucked them aside. Long story short, I put in the work to break it down for the people.

And so, I present to you my ten favorite songs of 2010.

10 – “Hurricane J” – The Hold Steady. You know you’re living right when you can put out a solid four-star album and it seems like a disappointment. That’s the case with the Hold Steady, who put out three straight classic albums before this year’s Heaven is Wherever. It was good enough. For many groups it would be a career-high. But not for Craig Finn and friends. The lyrics weren’t quite as good, the music not quite locked in as in the past.

This song is a perfect example. A first-class rocker, yet it doesn’t compare to past classics like “Stuck Between Stations,” “Your Little Hoodrat Friend,” or “Stevie Nix.” Yet it still cracks my top 10.

9 – “Get Some” – Lykke Li. And here’s our second Swedish artist. Apparently she had a bad breakup between her last album and her current one. The heartbreak has served her well, as her music has taken on a darker, edgier quality.

8 – “Don’t Do It” – Sharon Van Etten. Van Etten is known for her stark, confessional songs. At first listen, this song doesn’t seem like much. But the more you listen, the more it opens up and sucks you in.

7 – “The Diamond Church Street Choir” – The Gaslight Anthem. They’re from Jersey and sing about the common folks. Of course they get compared to Springsteen. Their sound isn’t quite as Springsteeny as the Hold Steady, but they certainly have the rest of it down. I’m not sure the Boss ever wrote a hook as good as the one in this song, though.

6 – “Fuck You” – Cee-Lo Green. I boldly said this was the best song of the year the first time I heard it. It suffers a little because of the sense of novelty surrounding it, from the lyrics to the many remakes and remixes. But that novelty factor hides that this is nearly a perfect song. Listen to every note Cee Lo sings, listen to all the backing vocals, listen to the layers of music. Its brilliance is hidden behind the shock value of its title. This is classic, pour your heart out, soul music.

5 – “Good Evening” – The Concretes. Holy crap, more Swedes! This time some sexy, slinky, seductive Swedes. Or at least that’s what they sound like, here.

The audio on this video is very poor. Not sure why there’s not a better version available anywhere.

4 – “England” – The National. I don’t give The National the attention they deserve. They are a band that demands you listen to their albums in full, without distraction, so you can mine the meanings buried deep within. My life now doesn’t allow those deep, continuous listening sessions. Shame, because as much as I enjoy their music anyway, I imagine they would be life-changing if I could allot the time needed to fully appreciate it.

This is a terrific version of the song, but it loses the power of the drums from the studio version. I don’t know about his technical proficiency, but the National’s drummer is as good as anyone at propelling songs forward, adding tension and drama to already fantastic music.

Oh, and I highly recommend skipping the nonsense at the beginning of this video. Pause it, let it load, and then move to 2:20, where the music starts.

3 – “Dancing On My Own” – Robyn. This year I read a couple Swedish novels (Stieg Larsson, translated, of course), we bought a Swedish auto, and I listened to a lot of Swedish music. I probably ate some Swedish fish along the way, too. Robyn is certainly the class of this Swedish invasion. “With Every Heartbeat” cracked my top five of the decade list a year ago. Her Body Talk project this year, a series of three EPs released over the year, was an audacious and perfectly executed endeavor. Upon the release of Part III, all three sections were bundled into one full-length. There isn’t a bad song in the bunch, and this is its finest.

2 – “Cold War” – Janelle Monae. On an album full of bombast and surprises and delights, this simple, emotional track was the standout from one of the most original, essential artists to emerge in recent years. If she doesn’t become a super-duper star, America sucks.

1 – “FootShooter” – Frightened Rabbit. My favorite new band of the last five years or so followed up their epic 2008 album The Midnight Organ Fight nicely with this year’s The Winter of Mixed Drinks. It is largely about picking up the pieces and moving on.

But this track could have easily fit on Organ Fight. While the rough edges have been polished up – this is the music Coldplay could have been making had they gone a different direction – all the honest, embarrassing pain is still there. The last minute or so is simply perfect. And the chorus features the best line of the year: “Buck up your ears my dear I’m verbal when I am loaded.” Great drums, too.

Best Music Of 2010, Part 2

And now for part two of my year-end list of favorite songs.

20 – “Twice If You’re Lucky” – Crowded House. Anytime Neil Finn releases an album, he gets a spot in my year-end countdown. This track claims his spot for 2010, another in his long line of perfect pop pieces. I think he can roll out of bed and write two of these without any effort.

19 – “Sleep Forever” – Crocodiles. They were nice enough to put out a stellar shoegaze track, so I’ll return the favor and slap in into my top 20.

18 – “Heaven’s on Fire” – The Radio Dept. Our first entry from Sweden. There will be more. There’s something about this song, especially the instrumental break in the middle, that makes me think of early 90s r&b. I can imagine the band dressed like Boyz 2 Men – matching sweater vests, baggy shorts, tall, wool socks, and hiking boots – doing a simple, choreographed dance to that section. Makes me laugh every time I hear it.

17 – “Comin’ Through” – The War on Drugs. A little Verve-like, a little psychedelic, a little jammy. All good.

16 – “Boyfriend” – Best Coast. One of the defining sub-genres of 2010 was the rise of retro, girly, garage rock. Out of a slew of fine artists and songs, this is the best example of that sound.

15 – “I Saw the Light” – Spoon. Spoon never blows you away, but their albums never disappoint, either. The extended instrumental outro to this is fantastic.

14 – “Love Fade” – Tamaryn. Dream pop + shoegaze = delight.

13 – “Holiday” – Vampire Weekend. Another song that has faded a bit of late, mostly because they sold the rights to not one but two different ad campaigns for the holidays. Still, the finest song on one of the most enjoyable albums of the year.

12 – “Tin Man” – Future Islands. The most distinctive vocals of the year carry this surprisingly catchy song. I found myself growling “I am the Tin Man,” often, while my daughters gave me strange looks.

11 – “Month of May” – Arcade Fire. The Arcade Fire is now three-for-three on albums. Each of their full length releases has been excellent, this year’s <em>The Suburbs</em> the latest in that line. This simple, punky track was the most direct expression of the frustration of growing up in the suburbs.

Check back tomorrow for the final ten songs.

Best Music Of 2010, Part 1

’Tis the season for year end lists. I’ve been blogging for seven years now, and each December I’ve posted a list of my favorite songs of the previous year.

Why mess with a good thing?

Here are my 20 favorite songs of 2010 . Not necessarily the best or the most played in my iTunes library,1 but the ones from which I squeezed the most enjoyment.

I don’t know what it says about my selections this year, but few of these songs have official videos. So I offer an assortment of live performances and audio clips I’ve been able to dig up on YouTube so you can sample each song. I hope you enjoy them and find a few new favorites of your own.

For starters, the bonus tracks. To be honest, these five songs and then the songs from 12-20, or so, are all equally enjoyable. It was kind of luck (or unluck, depending on your perspective) that knocked these down into the extra section.

“The Hair Song” – Black Mountain. Here’s a song that should be in a commercial (we have a couple coming up that have been co-opted by the advertising gurus). This sounds like something that should be played loudly while driving down a windy, rural road on the way to or from a lake on a hot summer day.

“Don’t Really Know Me” – Snowden. I’m not convinced this band is actually from Atlanta. Everything about them sounds European.

“Doubt” – The Corin Tucker Band. The former Sleater-Kinney co-lead is out on her own now, and she rocks.

“One Day” – Kings Go Forth. Are they from Milwaukee 2010 or Lagos 1973?

“I Forgot to Fall” – Music Like a Vitamin. I have a thing for Scottish Indie Rock, as my love for Frightened Rabbit will attest. So when the lead singer of Frightened Rabbit joins members of several other Scottish bands to put together an impromptu supergroup, of course I’m on board.

Look for songs 20-11 tomorrow.


  1. Plus five bonus tracks I couldn’t quite weed out. 

Favorite Songs Of The Decade

Something meaty for you to chew on, should this be a short week for you. If not, tuck it away and save it for a day when you have time to read about my 30 favorite songs of the decade.

30 – “Love Steals Us From Loneliness” – Idlewild 2005.
This band started out the decade gangbusters, a rocking outfit from Edinburgh. Their sound morphed, becoming more poppy, radio-friendly, etc. Eventually it kind of sucked. But this power-pop gem was their high point.

29 – “Walk On” – U2 2000.
The lads put it all together for one last, epic album in 2000. Then they kind of turned to shit.* This track was both the centerpiece of All That You Can’t Leave Behind and the magnificent closing song for their Elevation tour.

(In my opinion, of course.)

28 – “Old Enough” – The Raconteurs 2008.
Jack White was the King of the Aughts. Perhaps it is better to call him the Prince of the decade: wildly prolific, always attempting new things and going away from expectations, both defining and defying genres. This is the finest of the many wonderful things he did with The Raconteurs.

27 – “PDA” – Interpol 2002.
Perhaps the first shot in indie rock’s attack on the mainstream, Turn On The Bright Lights was one of the best and most important albums of the decade.

26 – “Plasticities” – Andrew Bird 2008.
Over the last couple months, the girls have forced Miley Cyrus into my skull. She won’t go away. Thankfully, they also indirectly introduced me to Andrew Bird when he appeared on Jack’s Big Music Show as Dr. Stringz. Certainly one of the most interesting and original artists of the decade.

25 – “If You Fail We All Fail” – Fields 2007.
This song has it all: British power-pop, shoegaze, early Radioheadesque guitar rock. While staying true to British rock’s indie roots, it roars in a way that is reassuring to those of us brought up on Top 40 radio.

24 – “Crazy” – Gnarles Barkley 2006.
As if this song wasn’t everywhere in the summer of ’06 already, it seemed like everyone and their mother recorded their own version of it shortly afterwards. Fortunately, it was so damn good it held up to all that exposure.

23 – “Such Great Heights” – The Postal Service 2002.
Written and recorded by the decidedly old school manner of exchanging tapes via mail, this set the standard for indie artists performing in more than one group. In this case, Death Cab For Cutie’s Ben Gibbard offers vocals.

22 – “The Rising” – Bruce Springsteen 2002.
No one put the events of September 11, 2001 into perspective better than The Boss.

21 – “The Way We Get By” – Spoon 2002.
Spoon carved out its own niche in indie rock. They made smart, literary music, like Death Cab or the Decembrists, but grounded it in rock with a healthy bit of experimentalism a la Wilco or Radiohead.

20 – “1 2 3 4” – Feist 2007.
Try to think back at all the iPod commercials you saw this decade. Didn’t you eventually get sick of every one of those songs? Except for this one, I bet. Feist is like an indie rock angel sent to earth to make us all happy.

19 – “Caught By The River” – Doves 2002.
One of my favorite bands of the decade churned out epic pop masterpiece after masterpiece across five albums. Several of their songs warranted consideration, but this has long been my favorite.

18 – “For Nancy (Cos It Already Is)” – Pete Yorn 2001.
I remember hearing this and not being sure where it fit into the musical landscape. The indie rock movement hadn’t really broken yet, but the mainstream alternative* sound had begun to recede. All I knew was the song rocked and I dug it.

(Cumbersome, Ironic Music Genres for 400, Alex.)

17 – “Jesus Walks” – Kanye West 2004.
Both honoring the sound of classic hip-hop and forward looking, this song drug Yeezy into the mainstream.

16 – “You Could Have Both” – The Long Blondes 2006.
I love songs that are about romantic failings, but tell their tales in an honest way. Don’t just sing about how your heart was broken and how you were depressed, sing about how low you were willing to stoop to keep a relationship alive, of the awful things you wished on your ex, and of how bad you were really feeling.

In this example, our protagonist is a young man’s second choice. Despite knowing that it means nothing other than pain and humiliation for her, she’s perfectly willing to be the other woman if the object of her affection will have her. That’s honesty, bitches!

15 – “Star Witness” – Neko Case 2006.
Another repeating theme in this list: cinematic songs. This sounds like it was made to be in a movie, perhaps as background music to a scene that takes place in a smoky, sultry nightclub where an important conversation takes place.

14 – “Lazy Eye” – Silversun Pickups 2006.
Beautiful, beautiful noise.

13 – “I Just Don’t Know What To Do With Myself” – The White Stripes 2003.
Here’s that Jack White kid again. Give him a Burt Bacharach song, a guitar, and turn him loose. The result: magic.

12 – “Landed” – Ben Folds 2005.
I have to admit, there’s always been a part of me that is worried about admitting that I love this song. I’m a happily married man; why should I enjoy a song about ending a relationship and returning to someone from the past so much? Because it’s Ben Folds and the song is freaking great, that’s why.

11 – “Long Time Coming” – Delays 2004.
Historically I was a big repeat listen guy. If I liked a song I was one of those people who picked up the needle, rewound the tape, or hit the Back button two, three, four times to listen to it again-and-again. The age of iTunes and the iPod have beaten that out of me; now I’m more worried about what’s next that looking back. But this may have been the last song that I would spend an entire afternoon running errands and listening to on repeat.

10 – “Hey Ya!” – Outkast 2003.
The defining song of the decade? It crossed about every genre line, getting airplay almost everywhere. Could be heard in heavy rotation for months. And just about everyone loved it. “Crazy In Love” or “Since You Been Gone” might have cases to make, but this gets my vote for song that best defines the decade.

9 – “Float On” – Modest Mouse 2004.
An important transition song in my life. On July 24, 2004, just after 10:00 pm I was sitting at my desk, listening to it when my wife called down to let me know her water had broke and it was time to go to the hospital. Eight hours later, I was a father. Thank goodness it was a good song!

8 – “Intervention” – Arcade Fire 2007.
Yet another strong contender for artist of the decade. Their Funeral album helped to redefine the music scene. I considered several songs from that album, but this majestic track from their second disk, Neon Bible, got the nod.

7 – “Portland, Oregon” – Loretta Lynn 2004.
LORETTA LYNN?!?!?! WTF?!?! OK, Loretta is certainly part of the equation here; she busts out some old school vocals that defy her age. But the real star here is our friend Jack White, who took a washed up, has-been country artist, threw some bluesy southern rock behind her, and turned her into a siren for a whole new generation. It doesn’t hurt that they’re singing about one of my favorite cities in the world.

6 – “Phantom Limb” – The Shins 2007.
The Brian Wilson comparisons are so obvious, yet they can’t be avoided. The second half of the song, beginning with the first “Oooooh, whaooooo, whaooooo” are perhaps the finest 2:00 of music recorded this decade.

5 – “With Every Heartbeat” – Robyn 2007.
Here’s a song that got under my skin in a big way. It nearly slipped by me, then snuck its way into the list as I was putting together my best of ’07 list. By the time I had finalized it, Robyn was into the top five. And how she’s done it again for the decade. Another tale of emotional honesty at the end of a relationship.

4 – “Going Missing” – Maximo Park 2005.
A more standard take on the end of a romance, this one has always sounded like the empty feeling that comes with the end of a summer affair.

3 – “Mistaken For Strangers” – The National 2007.
Cinematic indie rock at its finest. I don’t know that I’ve ever heard anything quite like it before.

2 – “Stuck Between Stations” – The Hold Steady 2006.
The most quotable song of the decade by perhaps the most important band of the decade off the most important album of the decade. Heady stuff! This decade lacked a Nevermind or Ten: a huge album that topped the charts, sold millions of copies, and defined the sound of an era. I would argue this was the closest thing we had, though, and the fact it sold a fraction of the copies the biggest albums of the 90s sold tells the story, in many different ways, about how the music industry changed this decade.

Oh, and this song fucking rocks.

1 – “The Modern Leper” – Frightened Rabbit 2008.
Funny thing: I did not have a single breakup this decade.* I was once the king of romantic failure and I have to admit, this has been a pretty good ten years for me. Yet, I still loves me some breakup music. I suppose it’s because I can always relate to the pain that these songs are loaded with. I never want to relive any of my darkest, post-breakup times, but remembering can be good. Recalling your failures can make you better in your current relationship and remind you of how lucky you have it.

(Knocking on wood that my wife doesn’t dump me in the next six weeks.)

This song, and the album on which it appears, brought the pain in a serious way. So much so that after spending a weekend listening to it intensely, I found myself mildly depressed. Thankfully I moved past that. The Midnight Organ Fight was my favorite album of the decade; so good that it cracks my top ten of all time. And the first track is a fearsome introduction to what the rest of the disk holds.

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