Tag: lists (Page 3 of 5)

Back To Glendale

Thursday night is going to be big. After three months off air, Community returns! It’s such a big deal even The New York Times has a story about the show’s return in today’s edition.

It remains unlikely, though, that “Community” will suddenly wade into the mainstream in search of more traditional viewers. Coming episodes revolve around a collegewide pillow fight (substituting for the regular paintball-shootout episode) and a full-scale “Law & Order” parody.

Which reminds me, I have not ranked my favorite TV shows at any point this season. A couple old favorites have fallen out, replaced by one new show, and another show that’s new to me.

1 – Parks and Recreation. We are in a golden age of ensemble cast comedies. With large casts come difficulties in keeping all the actors involved in the stories without making an episode too complex. P&R almost never has a bad week. It also hits the perfect balance of smart humor with silliness.
2 – Community. They scratch me exactly where I itch. As Dan Harmon says in the NYT article, they try to swing for the fences each week. Sometimes they whiff, but more often than not, they connect. Where P&R is consistently excellent, Community has had more moments of pure brilliance.
3 – Modern Family. Still a very good show, especially when compared to the trash the networks try to force on us each fall. But it’s a step or two below its first-season peak.
4 – Archer. Even more than Community, this show is not for everyone. But of all these shows, it is the only one that makes me laugh so hard I often can’t share my favorite lines with my wife the next day. Example: pretty much anything Pam says. Bonus points for all the Arrested Development connections.
5 – Up All Night. A fine first-year show. There is definitely a variance in quality from week-to-week, but overall it’s solid.

Bonus Show: We’ve been watching Mad Men for the last six months or so. We’re just about done with season three, so we don’t expect to start watching the season five when it airs. We like it a lot, although I’m not about to put it in the same class as The Wire when it comes to dramas.

Off the List:

The Office. I wasn’t going to be one of those Now that Steve Carell is gone, I’m not watching, people. And I watched for a month or so in the fall. But it just wasn’t as funny as it used to be. One week the DVR failed to record an episode and I took that as a sign it was time to move on. I’ve heard the show has rebounded a bit in 2012, but it hasn’t sucked me back in.
30 Rock. I just got behind on this one – I think I have six episodes on the DVR – and wasn’t loving how this season began anyway. I’ll probably plow through them at some point, but for now it’s not a priority.

Best Of The Naughts

The Lawrence Journal-World just completed their reader-driven contest to determine the best KU basketball player of the last decade. Weird timing, yes, since apparently everything that happened in the spring of 2000 gets pushed back to the 90s. But fun anyway.

Some thoughts.

It was interesting looking at their brackets – they went position-by-position – and realizing how unique KU’s pool of talent over that period was. Until a year ago, no one had left after a single season in Lawrence. Before that, only one player left before his junior year. 1 Thus, there are really only a couple elite players at each position. I would imagine schools like Kentucky, North Carolina, and Duke would have much deeper lists since they’ve had a lot more one-and-doners.

Next, it’s funny how big an effect the events of the spring of 2008 had on the balloting. Guys who played on that team get, I estimate, at least a 30% bump in the voting. Sasha Kaun was a fine player, and had a fabulous senior season, most notably being the only guy who didn’t look nervous in the Davidson game. But the title run helps you forget how frustrating he was his first three years, when he had trouble holding on to the ball, routinely got worked over by mobile big men he was guarding, and picked up tons of cheap fouls. Nets hide a lot of warts.

Aaron Miles is one of the best pure point guards to ever play at KU. But he gets buried in the competition having to face Kirk Hinrich and Sherron Collins. Throw in the title bump for Russell Robinson and I bet Aaron would have finished fourth in an open vote.

Keith Langford is one of my all-time favorite KU players, both because he got the most out of his considerable talents and was not the typical jock off the court. But put him up against Mario Chalmers and it’s no contest.

The most interesting battle is at point guard where Hinrich and Collins were the finalists. In many ways they are total opposites and in others they were mirror images of each other. The tall, skinny white kid from a small high school in Iowa against the short, stocky black kid from Chicago’s inner city. Both burned to win, were never afraid to take the big shot, and have a career full of game-changing plays to their credit. Hinrich was a monster against Arizona in the 2003 Regional Final and fueled the frenetic pace of the ’01-03 seasons. Sherron was only involved in the two biggest plays in KU history. That’s a tough one.

Nick Collison won the fan voting as player of the decade, and that’s a fine choice. He was another guy who got every last ounce out of his talent, has represented the school well as a person and professional, and had some of the biggest individual games of the decade. He also had perhaps the best in-game quote of the decade. “I’m going to the Final Four. You can either get out of my way or help me.”

He led a final five of Hinrich, Chalmers, Brandon Rush, and Drew Gooden. You can’t complain too much about that starting five, although I think most would agree that Sherron is 1B to Hinrich’s 1A at the point. For different reasons, you can make a reasonable argument that any of those players was the best of the last ten years. No coach would turn down a bench of Collins, Langford, Xavier Henry, Marcus Morris, and Wayne Simien.

The final takeaway is KU had a fabulous decade. It’s easier to remember the 2008 postseason and the seasons when KU fell to lower seeded teams in March than the continuous run of excellence. Despite a traumatic coaching change, the program has been as successful as any other in the game.

The mention of VCU 2 still upsets my stomach, but, all things considered, it was a pretty fantastic decade for Kansas basketball.


  1. Of course Brandon Rush declared for the draft after his sophomore year. Then the Hoops God intervened, he tore up his knee, and the rest is history. 
  2. And Northern Iowa and UCLA and Bradley and Bucknell. 

Favorite DLR Songs

As I believe I mentioned before, I recently went through a bit of a David Lee Roth-era Van Halen phase. For a couple weeks their songs were in high rotation on my various digital music devices.

That got me thinking. How would I rank the DLR songs? More to the point, what are my five favorite DLR songs?1 Purely subjective and subject to change, of course.

“Runnin’ With the Devil” – The first single that the band wrote, it was a minor hit. I’ve always dug it for its power, how little it sounded like typical 1978 music, and because it freaked me out a little when I was little. A song about the devil? Yikes!

“Panama” – This went to #13 on the pop charts, but I don’t think I appreciated it fully until years later. Looking back, it may be the ultimate DLR-VH song: a heavy rocker with a healthy dose of pop sensibility, sexuality, and humor.

“Everybody Wants Some!!” – There are a lot of great intros in the VH catalog, but I think this is my favorite. I love the slow build, the booming drums, the ominous growling from Eddie’s guitar, and Dave’s animal-vamping which explode into the first verse. Bonus points for the classic Better Off Dead.

“Intruder/(Oh) Pretty Woman” – VH was never afraid of tackling someone else’s song. Here is a classic cover, both faithful to Orbison’s original and thoroughly Van Halen. Throw in the epic “Intruder” lead-in, and you have one of the best covers ever.

“Hot For Teacher” – The last DLR single, another brilliant combination of hard rock, punk, sex, and laughs.

To be fair, here are my favorite Sammy-era Van Halen songs.

“Best of Both Worlds”

“Summer Nights”

“Cabo Wabo”

That’s right, just three. The Van Hagar songs have not aged as well as the DLR songs. I love you and have defended you, Sammy, but in truth your songs just don’t measure up.


  1. Expect to see more lists here soon. If you know me, you know I love lists to begin with. Throw in some minor writer’s block lately, and lists seem like a good way to get my writing brain pumping again. 

Favorite Albums Of The Decade

Another 2000s music retrospective, this time focusing on some of my favorite albums. Not meant to be comprehensive, it’s more an accounting of albums I both enjoyed this decade and which have stood the (brief) test of time. There are plenty of other worthy albums from the decade that probably should be included, but these are my favorites.

While there is a clear winner, and probably a clear #2, these are presented in no particular order.

All That You Can’t Leave Behind – U2, 2000. One last great album from the Dublin lads before they slipped down the cliff to mediocrity.

Yankee Hotel Foxtrot – Wilco, 2001. Perhaps the most written-about album of the decade, and one that deserves credit for kick starting the mainstream acceptance of indie rock. Oh, and it established Wilco as America’s answer to Radiohead: a band that refused to allow themselves, or their fans, to get comfortable and consistently challenged expectations and boundaries.

The Rising – Bruce Springsteen, 2002. The most eloquent, thoughtful, and powerful summation of the defining event of the decade.

Boys and Girls in America – The Hold Steady, 2006. Every decade needs an album that kids – from angsty teens to 20-somethings struggling to find their place in the world – can identify with. In the 90s, it was Nevermind and Ten. I suggested that every American under 25 be issued a copy of this album, as it seemed perfect to fill that need for the 00s. Yet it’s an album for all ages, an updated take on the early Springsteen sound, bar bandy yet wonderfully literate. Also features the most quotable song of the decade, “Stuck Between Stations.”

The Midnight Organ Fight – Frightened Rabbit, 2008. My favorite album of the decade, and the only one that cracks my all-time top 10. A devastating and honest account of the emotions that overwhelm us when a relationship ends.

Fox Confessor Brings the Flood – Neko Case, 2006. Not quite country, not quite indie, Neko’s magnificent voice and story telling made this a genre-crossing classic.

Elephant – The White Stripes, 2003. Artist of the decade Jack White’s finest effort in the guise through which we first met him: with ex-wife Meg as the most powerful two-piece ever. Loud, dangerous, and fun.

Confessors of the Lonely – The Raconteurs, 2008. After much promise, this super-group delivered on their second album. Jack White’s rootsy blues layered perfectly with Brendan Benson’s power pop.

7 Worlds Collide – Neil Finn and Friends, 2002. Neil invited some of his favorite artists to New Zealand, where they rehearsed for a week, performed for a week, and then broke up their impromptu supergroup. A perfect coming-together of artists that have influenced the music I listen to.

Pearl Jam – Pearl Jam, 2006. The cliched “return to form” album. Shame it took W. and an unnecessary war to get the band so focused.

The Last Broadcast – Doves, 2002. These Mancunians had a fine decade, releasing four fantastic albums. This was their strongest, most complete work.

In Rainbows – Radiohead, 2007. Their Kid A is popping up in the top five on many Best Of lists. While I admired the direction they took with Kid, I appreciated In Rainbows much more. It felt like the perfect synthesis of their Bends-era rock with the experimental and electronic sounds they had been working with since 2000. Its pay what you want digital model also serves as yet another turning point in how bands distribute and fans collect music.

Funeral – The Arcade Fire, 2004. Perhaps the most-hyped band of the decade, they redefined epic, anthem rock.

Transatlanticism – Death Cab for Cutie, 2004. A seminal indie rock album, it is gorgeous and perfect. From the sweeping ballads to the power pop tracks, everything works.

Books Of The Decade

I read a lot of books this decade. I love putting together lists at the end of arbitrary periods of time. Seems like a perfect excuse to share some of my favorite books I read over the past ten years. Please note that the focus is on the date read rather than the date published. There are a few in here that were published before 2000. So, in no particular order, a few of my favorites.

40 Watts From Nowhere – Sue Carpenter. Geeking out with my pirate radio fantasies.

A Prayer For the Dying – Stewart O’Nan. I discovered O’Nan through his work with Stephen King, Faithful, covering the 2004 Red Sox. Thank goodness, as he’s become one of my favorite authors. Of the several O’Nan books I read, this was my favorite, a harrowing tale of death and rumors of death in post-Civil War Minnesota. Includes the second most uncomfortable scene I read this decade.

Fever Pitch – Nick Hornby. I’ve read this, what, 3-4 times? Even though it’s about growing up in England as a soccer fan, any sports fan can relate to the experiences Hornby shares. Also it turned me into an Arsenal fan, for better or worse. Like about a billion other people.

The Amazing Adventures of Kavalier and Clay – Michael Chabon. I struggled to get through the first 100 pages or so, not understanding what the hell he was writing about (Obscure Eastern European Jewish culture). Then it got interesting and I couldn’t put it down. I remember being disappointed when a flight from the west coast to Kansas City landed and I had to put it down. The one time I was hoping for a weather delay. Perhaps my favorite of the decade.

Fantasyland – Sam Walker. A journalist jumps into the world of big-time fantasy baseball. He loses his mind a little. Good, clean fun.

Winter’s Bone – Daniel Woodrell. Right up there with O’Nan as favorite discovered author of the decade, I’ve poured through several of his books. This was the finest, a haunting story of crime and survival in the Ozarks. Woodrell was the author of the single most disturbing scene of the decade, which came in his book The Death of Sweet Mister.

Now I Can Die In Peace – Bill Simmons. Simmons defined sports writing for the decade. This was his collected work about the Red Sox, through their 2004 World Series championship. Thanks to my love of Simmons’ writing and my hatred of the Yankees, I hopped on the Red Sox bandwagon big-time for most of the decade. I won’t pretend my joy or pain compared to those of real Red Sox fans, but there were some nights when my heart rate was seriously tied to their fortunes. In fact, let’s go Simmons-style and rank the five most disappointing sports losses of the decade for me.

1 – Syracuse 81, Kansas 78, 2003 NCAA championship game. It’s always a good idea to keep your best perimeter defender off the guy who is lighting you up until you’re down 20. Oh, and all those missed free throws.

2 – UCLA 68, Kansas 55, Regional Final 2007. 19 missed shots within five feet of the basket.

3 – Texas 27, Kansas 23 football, November 2004. Charles Gordon, Vince Young, and dollar signs.

4 – Game seven, 2003 ALCS. Grady Little and Aaron Bleeping Boone keep the Red Sox out of the World Series. It took me hours to sleep after this one.

5 – Texas Tech 80, Kansas 79, 2OT, February 2005. Down two, Texas Tech tries to foul Aaron Miles with four seconds left in the second overtime to stop the clock. They shove, beat, scratch, and claw at Miles. Miles takes a finger in the eye and covers up. Whistle blows. Traveling?!?!? Naturally a 6’9” center swishes a three on the next possession to win the game for Tech. Things were thrown in my basement that night.

Wanna guess what my favorite games of the decade were?

We Wish To Inform You That Tomorrow We Will Be Killed With our Families – Philip Gourevitch. Genocide was kind of my obsession this decade. This account of the 1994 genocide in Rwanda was one of the key books in my self-education on the issue.

The Fortress of Solitude – Jonathan Lethem. Up there with Kavalier and Clay as the finest book of the decade. Lethem hit every angle of both growing up as an outsider and of childhood friendships perfectly.

Three Bags Full – Leonie Swann. In the spirit of Watership Down, Swann focused on sheep in Ireland, who diligently investigated the murder of their shepherd.

A Heartbreaking Work of Staggering Genius – Dave Eggers. One of the best authors going. This mostly autobiographical tale is almost too much to take. Truly heartbreaking, but also quite funny.

Into The Wild – Jon Krakauer. One of the finest non-fiction authors of our time, Krakauer reconstructs the final months of Christoper McCandless, a child of privilege who left it all behind and ventured to the wilderness of Alaska. A disturbing and thought-provoking work.

The Dark Tower – Stephen King. After nearly 30 years of work, King finally finished The Dark Tower series, cranking out the final three episodes over the middle of the decade. In many ways this is a lifetime achievement award. The Dark Tower doesn’t rank with his best works as a single novel, but putting the seven volumes together does earn it a spot on the list. Also one of the more maddening, yet completely appropriate endings ever.

Cryptonomicon – Neal Stephenson. Some of Stephenson’s work is too densely geeky for me, but this struck the perfect tone and balance.

Infinite Jest – David Foster Wallace. Perhaps I did not enjoy it as much as others, but it did make a lasting impact on me.

Favorite Songs Of The Decade

Something meaty for you to chew on, should this be a short week for you. If not, tuck it away and save it for a day when you have time to read about my 30 favorite songs of the decade.

30 – “Love Steals Us From Loneliness” – Idlewild 2005.
This band started out the decade gangbusters, a rocking outfit from Edinburgh. Their sound morphed, becoming more poppy, radio-friendly, etc. Eventually it kind of sucked. But this power-pop gem was their high point.

29 – “Walk On” – U2 2000.
The lads put it all together for one last, epic album in 2000. Then they kind of turned to shit.* This track was both the centerpiece of All That You Can’t Leave Behind and the magnificent closing song for their Elevation tour.

(In my opinion, of course.)

28 – “Old Enough” – The Raconteurs 2008.
Jack White was the King of the Aughts. Perhaps it is better to call him the Prince of the decade: wildly prolific, always attempting new things and going away from expectations, both defining and defying genres. This is the finest of the many wonderful things he did with The Raconteurs.

27 – “PDA” – Interpol 2002.
Perhaps the first shot in indie rock’s attack on the mainstream, Turn On The Bright Lights was one of the best and most important albums of the decade.

26 – “Plasticities” – Andrew Bird 2008.
Over the last couple months, the girls have forced Miley Cyrus into my skull. She won’t go away. Thankfully, they also indirectly introduced me to Andrew Bird when he appeared on Jack’s Big Music Show as Dr. Stringz. Certainly one of the most interesting and original artists of the decade.

25 – “If You Fail We All Fail” – Fields 2007.
This song has it all: British power-pop, shoegaze, early Radioheadesque guitar rock. While staying true to British rock’s indie roots, it roars in a way that is reassuring to those of us brought up on Top 40 radio.

24 – “Crazy” – Gnarles Barkley 2006.
As if this song wasn’t everywhere in the summer of ’06 already, it seemed like everyone and their mother recorded their own version of it shortly afterwards. Fortunately, it was so damn good it held up to all that exposure.

23 – “Such Great Heights” – The Postal Service 2002.
Written and recorded by the decidedly old school manner of exchanging tapes via mail, this set the standard for indie artists performing in more than one group. In this case, Death Cab For Cutie’s Ben Gibbard offers vocals.

22 – “The Rising” – Bruce Springsteen 2002.
No one put the events of September 11, 2001 into perspective better than The Boss.

21 – “The Way We Get By” – Spoon 2002.
Spoon carved out its own niche in indie rock. They made smart, literary music, like Death Cab or the Decembrists, but grounded it in rock with a healthy bit of experimentalism a la Wilco or Radiohead.

20 – “1 2 3 4” – Feist 2007.
Try to think back at all the iPod commercials you saw this decade. Didn’t you eventually get sick of every one of those songs? Except for this one, I bet. Feist is like an indie rock angel sent to earth to make us all happy.

19 – “Caught By The River” – Doves 2002.
One of my favorite bands of the decade churned out epic pop masterpiece after masterpiece across five albums. Several of their songs warranted consideration, but this has long been my favorite.

18 – “For Nancy (Cos It Already Is)” – Pete Yorn 2001.
I remember hearing this and not being sure where it fit into the musical landscape. The indie rock movement hadn’t really broken yet, but the mainstream alternative* sound had begun to recede. All I knew was the song rocked and I dug it.

(Cumbersome, Ironic Music Genres for 400, Alex.)

17 – “Jesus Walks” – Kanye West 2004.
Both honoring the sound of classic hip-hop and forward looking, this song drug Yeezy into the mainstream.

16 – “You Could Have Both” – The Long Blondes 2006.
I love songs that are about romantic failings, but tell their tales in an honest way. Don’t just sing about how your heart was broken and how you were depressed, sing about how low you were willing to stoop to keep a relationship alive, of the awful things you wished on your ex, and of how bad you were really feeling.

In this example, our protagonist is a young man’s second choice. Despite knowing that it means nothing other than pain and humiliation for her, she’s perfectly willing to be the other woman if the object of her affection will have her. That’s honesty, bitches!

15 – “Star Witness” – Neko Case 2006.
Another repeating theme in this list: cinematic songs. This sounds like it was made to be in a movie, perhaps as background music to a scene that takes place in a smoky, sultry nightclub where an important conversation takes place.

14 – “Lazy Eye” – Silversun Pickups 2006.
Beautiful, beautiful noise.

13 – “I Just Don’t Know What To Do With Myself” – The White Stripes 2003.
Here’s that Jack White kid again. Give him a Burt Bacharach song, a guitar, and turn him loose. The result: magic.

12 – “Landed” – Ben Folds 2005.
I have to admit, there’s always been a part of me that is worried about admitting that I love this song. I’m a happily married man; why should I enjoy a song about ending a relationship and returning to someone from the past so much? Because it’s Ben Folds and the song is freaking great, that’s why.

11 – “Long Time Coming” – Delays 2004.
Historically I was a big repeat listen guy. If I liked a song I was one of those people who picked up the needle, rewound the tape, or hit the Back button two, three, four times to listen to it again-and-again. The age of iTunes and the iPod have beaten that out of me; now I’m more worried about what’s next that looking back. But this may have been the last song that I would spend an entire afternoon running errands and listening to on repeat.

10 – “Hey Ya!” – Outkast 2003.
The defining song of the decade? It crossed about every genre line, getting airplay almost everywhere. Could be heard in heavy rotation for months. And just about everyone loved it. “Crazy In Love” or “Since You Been Gone” might have cases to make, but this gets my vote for song that best defines the decade.

9 – “Float On” – Modest Mouse 2004.
An important transition song in my life. On July 24, 2004, just after 10:00 pm I was sitting at my desk, listening to it when my wife called down to let me know her water had broke and it was time to go to the hospital. Eight hours later, I was a father. Thank goodness it was a good song!

8 – “Intervention” – Arcade Fire 2007.
Yet another strong contender for artist of the decade. Their Funeral album helped to redefine the music scene. I considered several songs from that album, but this majestic track from their second disk, Neon Bible, got the nod.

7 – “Portland, Oregon” – Loretta Lynn 2004.
LORETTA LYNN?!?!?! WTF?!?! OK, Loretta is certainly part of the equation here; she busts out some old school vocals that defy her age. But the real star here is our friend Jack White, who took a washed up, has-been country artist, threw some bluesy southern rock behind her, and turned her into a siren for a whole new generation. It doesn’t hurt that they’re singing about one of my favorite cities in the world.

6 – “Phantom Limb” – The Shins 2007.
The Brian Wilson comparisons are so obvious, yet they can’t be avoided. The second half of the song, beginning with the first “Oooooh, whaooooo, whaooooo” are perhaps the finest 2:00 of music recorded this decade.

5 – “With Every Heartbeat” – Robyn 2007.
Here’s a song that got under my skin in a big way. It nearly slipped by me, then snuck its way into the list as I was putting together my best of ’07 list. By the time I had finalized it, Robyn was into the top five. And how she’s done it again for the decade. Another tale of emotional honesty at the end of a relationship.

4 – “Going Missing” – Maximo Park 2005.
A more standard take on the end of a romance, this one has always sounded like the empty feeling that comes with the end of a summer affair.

3 – “Mistaken For Strangers” – The National 2007.
Cinematic indie rock at its finest. I don’t know that I’ve ever heard anything quite like it before.

2 – “Stuck Between Stations” – The Hold Steady 2006.
The most quotable song of the decade by perhaps the most important band of the decade off the most important album of the decade. Heady stuff! This decade lacked a Nevermind or Ten: a huge album that topped the charts, sold millions of copies, and defined the sound of an era. I would argue this was the closest thing we had, though, and the fact it sold a fraction of the copies the biggest albums of the 90s sold tells the story, in many different ways, about how the music industry changed this decade.

Oh, and this song fucking rocks.

1 – “The Modern Leper” – Frightened Rabbit 2008.
Funny thing: I did not have a single breakup this decade.* I was once the king of romantic failure and I have to admit, this has been a pretty good ten years for me. Yet, I still loves me some breakup music. I suppose it’s because I can always relate to the pain that these songs are loaded with. I never want to relive any of my darkest, post-breakup times, but remembering can be good. Recalling your failures can make you better in your current relationship and remind you of how lucky you have it.

(Knocking on wood that my wife doesn’t dump me in the next six weeks.)

This song, and the album on which it appears, brought the pain in a serious way. So much so that after spending a weekend listening to it intensely, I found myself mildly depressed. Thankfully I moved past that. The Midnight Organ Fight was my favorite album of the decade; so good that it cracks my top ten of all time. And the first track is a fearsome introduction to what the rest of the disk holds.

How Times Change

I started reading Bill Simmons again recently (and listening to his podcast). For various reasons, I’ve rarely read him over the past 2-3 years. It’s fun to find an old friend again.

I just finished his summer NBA two-parter, set to quotes from his pick for top movie of the decade, Almost Famous. It reminded me of the day back in the spring of 2000 when I was bored at work, scanning espn.com and found something about the NBA and Boogie Nights. Sounded interesting so I started reading. 20 minutes later I finished part two, sent a link to some friends telling them that the MUST check out this new guy on ESPN, and then went back and read part one, which had been posted earlier in the week. That was the beginning of countless hours of my employer paying me to read his columns.

Reading his current effort got me thinking about re-watching movies. Aside from the holiday classics, I just don’t do it anymore. Hell, I barely watch movies at all these days, preferring to listen to music and read. I wondered how many movies from the current decade I’ve watched more than 10 times. Not many, I bet. And I wondered how that compared to the 90s. I took a gander at my DVDs, put a little thought into it to capture those movies not in my collection, and came up with these rough lists.

These are, by the past two decades, movies that I A) love and B) have watched more than 10 times. (!) indicates the movie is one of my top 20 favorites of all-time.

90s:
Reservoir Dogs
Goodfellas (!)
Office Space
Pulp Fiction (!)
The Usual Suspects (!)
Swingers (!)
Shawshank (!)
Braveheart (!)
Saving Private Ryan (!)
Good Will Hunting
LA Confidential
Boogie Nights

00s:
High Fidelity (!)
Elf
Old School
Zoolander
Finding Nemo (WALL-E will soon join the list)

Now what, do you suppose, would explain this dramatic shift?

 

Favorite Songs Of 2008

Hey, it’s time for my annual listing of the songs that moved me and/or stuck with me the most this year.  Enjoy.

Honorable Mention

“Buildings & Mountains” – The Republic Tigers.  A lovely song by a fine band from Kansas City.  This sounds like a warm, early summer afternoon.

“Northern Lights” – Science For Girls w/Boots Ottestad.  Mellow brilliance.

“Got It Bad” – The Broken West.  Not enough people use the Minneapolis drum sound from 1985 these days.

“Profanity Prayers” – Beck.  Beck takes Radiohead’s sound and does quite nicely with it.

“Cheap And Cheerful” – The Kills.  Perhaps the catchiest song of the year.

“Juno” – Tokyo Police Club.  You can’t go wrong with taking the early U2 sound and updating it.

“Molten” – Sky Larkin.  Recalling that era when there were a number of kick ass British bands fronted by women.

“I’m Not Gonna Teach your Boyfriend How To Dance With You” – Black Kids.  Try to listen to this and not smile.  I double-dog dare you.

“Right Hand On My Heart” – The Whigs.  Biggest rocker of the year.

“The Bones Of You” – Elbow.  A band that should get a lot more attention.

10 – “Time To Pretend” – MGMT.  A fine take on one of the staples of rock: singing about the excesses that come with stardom.

9 – “Shove It” – Santogold.  One of the most interesting artists of the year, this song brings together all kinds of influences into one undeniable sound.

8 – “Halfway Home” – TV On The radio.  Another band that takes pieces of different influeces and molds them into something fresh and unique.

7 – “Lord, I’m Discouraged” – The Hold Steady.  This song stuck with me because it varies from their traditional sound.  Bleak and heartbreaking.  Oh, and an epic guitar solo straight out of the 80s.

6 – “Bixby Canyon Bridge” – Death Cab For Cutie.  Who would have guessed that a “thoughtful” band would rock so well?

5 – “Plasticities” – Andrew Bird.  Thanks to my kids, and Noggin’s Jack’s Big Music Show, for introducing me to this amazing artist.

4 – “I’m Amazed” – My Morning Jacket.  This song was everywhere this summer.  With good reason.

3 – “Going On” – Gnarls Barkley.  Proving they’re neither one hit wonders nor a novelty act that can be easily dismissed.

2 – “Old Enough” – The Raconteurs.  Jack White and Brendan Benson lived up to all the hype on the Raconteurs’ second album.

1 – “The Modern Leper” – Frightened Rabbit.  I could have picked one of several songs from The Midnight Organ Fight, Frightened Rabbit’s phenomenal second album.  The disk as a whole is a perfect use of lyrics and music to share a point of view: a man destroyed by the end of a relationship.  We hear his anger, his disbelief, his loss of self-esteem, his willingness to sacrifice his pride to reclaim the relationship, and ultimately his need to reform his identity as Me after We disappears.  I selected this stunning disk-opener as my favorite song of the year.

Repeat Plays

Another great list from the Onion AV Club. Naturally, it begs the question, what movies are on my list?

In no particular order:

1) Star Wars. I probably watched this 50 times between 1977 and 1984. I’ve seen it once all the way through since then.

2) Chevy’s Classics. I’ll bundle the classic work of Chevy Chase together, since watching one often meant watching another immediately after. Includes Caddyshack, Vacation, Fletch, Fletch Lives, Spies Like Us, and Three Amigos.*

3) Christmas Vacation. Separate from Chevy’s other work because I still watch it.

4) A Christmas Story. I’ll guess I’ve watched it at least twice a year for the past 20 years.

5) Swingers. The only movie not from my pre-college days that makes the list. I watched it over-and-over for the humor, how it spoke to what I – and my generation – was going through, and of course to try to absorb some of Vince Vaughn’s coolness. And we used to pop a Digiorno’s in the oven, crack open another beer, and pop this in at 2:30 after the bars closed on weekend nights when we were all still single.

  • Did Chevy have the biggest drop-off in Hollywood history? We think of his work between 1980 and 1989 as brilliant, and everything since as being putrid. Check his filmography, though. There were a number of shitty movies sprinkled in with the classics. It does confirm, however, that he hasn’t done anything remotely interesting since Christmas Vacation.

How To

A few words about the methodology for my favorite songs list.

First, I had to own a song for it to appear on the list. Duh.

Second, I limited myself to one song per artist. After some consultation with a few other music geeks, I determined that I could consider both Beatles songs and John Lennon’s solo work separately. Same for Neil Finn’s work with Split Enz, Crowded House, The Finn Brothers, and on his own. Alas, no one made the final list under two different entries.

That did made some of the selection process a series of mini-tournaments to pick my favorite Beatles, Radiohead, Pearl Jam, etc. song.

So how did I put this together? First, I scrolled through my iTunes library and reviewed every song rated as five stars, pulling my favorites into a new playlist. Then, I reviewed all my four star songs to make sure none deserved an addition star. After this review, I started with a list of about 45 songs back in April. I purged and added and purged some more, but I doubt I ever got up to 50 songs for consideration. In fact, I got under 30 pretty quickly. By early June, I was sitting on a list of 22 songs that more-or-less included everything that made the final list. Those final two songs were the biggest struggle for some reason. At one point, both Marshall Crenshaw and John Lennon had songs at the tail end of the list. But, in time, they got bumped.

The rest of the list remained fairly static. I did a rough ranking, then compared each song to those next to it, decided which I liked best, and reranked them based on that. There was a song that at one point was in the top five that fell down into the second ten. One song that ended up in the top five wasn’t on the list until last week (You’ll read about that next week). But other than spending a lot of time thinking about what to write about each song, this was a fairly easy process.

Now that the gauntlet has been thrown, I hope to read some of your top 10 or 20 or whatever songs lists soon.

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