Chart Week: February 16, 1980
\nSong: \u201cWe Don\u2019t Talk Anymore\u201d – Cliff Richard
\nChart Position: #32, 18th week on the chart. Peaked at #7 for two weeks in January.<\/p>\n
I\u2019m guessing most, if not all, of my readers have no memory of Cliff Richard.<\/p>\n
That\u2019s kind of crazy, because he was one of the most popular singers in the world for a long, long time. He\u2019s sold over 250 million records around the world in his prolific career. In the UK he had 14 number ones and a staggering 69 top 10 hits; only Elvis and the Beatles sold more records in Richard\u2019s homeland.[1]<\/a> While his success was more modest in the US, Richard still racked up nine Top 40 hits here. <\/p>\n He spread out his American success pretty efficiently. As Casey noted in this countdown, Richard was the first artist to hit the US Top 40 in the 1950\u2019s, 1960\u2019s, 1970\u2019s, and 1980\u2019s. That came via one Top 40 hit in both the \u201850s and \u201960s, two in the \u201870s – including this track which first hit in late 1979 – and then five more in 1980 and 1981 before he basically disappeared from American radio.[2]<\/a> <\/p>\n While his highest charting track in the US was 1975\u2019s \u201cDevil Woman,\u201d<\/a> which hit #6, this was his biggest international hit. It cracked the top ten on pretty much every pop chart around the world, and hit #1 in at least nine counties.[3]<\/a> <\/p>\n I\u2019ve always loved it, from way back when I (likely) first heard it on KJAS in Jackson, MO<\/a>. It has a groovy bass line. The synthesizers have a proto-New Wave quality to them. The chorus is catchy-as-hell. It\u2019s hard not to get swept away by the track\u2019s pleasant bounce.<\/p>\n When I was a kid, I mostly paid attention to the chorus and thought it was about a couple that were still together but had grown apart. Thus, I assumed was Richard singing about the realization that a relationship had changed. Maybe the couple was still traveling in the same direction, but they were doing so on different paths.<\/p>\n As I got older, I realized the entire song is more about him bemoaning the loss of a love that came about because of the choice of his lover. <\/p>\n Even with those two different views of the song, I\u2019ve never completely understood what the title line means, \u201cIt\u2019s so funny, how we don\u2019t talk anymore.\u201d I can\u2019t decide if it\u2019s a sarcastic statement, an incredulous statement, or a \u201cHuh, that\u2019s kind of weird,\u201d statement. <\/p>\n I don\u2019t think it helps that the song sounds so damn happy. Can Richard really be singing about heartbreak when the song makes you smile and want to bounce around?<\/p>\n I\u2019m probably overanalyzing a song that was meant to be more pleasing to the ear than profound.<\/p>\n Besides, I\u2019ve always been a melody-first guy, and this song is loaded with melody. Which is more than enough to make up for any lyrical inconsistencies or questions. This is pop music in its purest, most pleasing form. If Leo Sayer got a 7<\/a>, this has to be an 8\/10<\/strong>.<\/p>\n