{"id":12504,"date":"2024-02-02T08:11:29","date_gmt":"2024-02-02T13:11:29","guid":{"rendered":"https:\/\/dsnotebook.me\/?p=12504"},"modified":"2024-08-28T08:40:14","modified_gmt":"2024-08-28T12:40:14","slug":"friday-playlist-291","status":"publish","type":"post","link":"https:\/\/dsnotebook.me\/index.php\/2024\/02\/02\/friday-playlist-291\/","title":{"rendered":"Friday Playlist"},"content":{"rendered":"<p><iframe title=\"Spotify Embed: Friday Playlist 2\/2\/24\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/1LTkOV6sg6d0hv7XdiQFdO?si=14660f56666f409d&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>&#8220;Real Doll Time&#8221; &#8211; VR SEX<br \/>\nI&#8217;m not sure exactly how to describe this song. It harkens back to the earliest days of punk with its aggression and hint of nastiness, but sounds thoroughly modern at the same time. No matter how it ends up getting categorized, it 100% rips.<\/p>\n<p>&#8220;Lagunita&#8221; &#8211; Lizzie No<br \/>\nLizzie No is primarily a folk artist, but when she decides to plug in and rock out, I dig the results. Not sure if this is a true Country or Not song, but it certainly has some CoN-esque vibes. <\/p>\n<p>&#8220;Alibi&#8221; &#8211; Hurray For The Riff Raff<br \/>\nThis, on the other hand, is a definite Country or Not entry. If you have a moaning peddle steel guitar in the mix you will always get that label. This seems like a big departure from HFTRR&#8217;s previous catalog, or at least from their songs that I&#8217;m familiar with.<\/p>\n<p>&#8220;Vanishing Point&#8221; &#8211; Tanlines<br \/>\nI was trying to narrow down who\/what this track reminded me of. There&#8217;s a lot of New Romanticism in there, so Spandau Ballet, Bryan Ferry\/Roxy Music type pop. Certainly Bowie. A hint of late era Police? Most of all I hear coked-up, pasty white people trying to slow dance sexily. <\/p>\n<p>&#8220;newrules&#8221; &#8211; Sjowgren<br \/>\nI can find almost no info about either this band or song. So I guess just listen and enjoy.<\/p>\n<p>&#8220;That&#8217;s the Joint&#8221; &#8211; Funky 4+1<br \/>\nProps to Brother in Music E$ for sharing this with a few of us this week. It is one of the most sampled songs in the history of hip hop. If you&#8217;ve never heard it in full before, I have no doubt there are dozens of little moments within that you&#8217;ve heard in dozens of other songs. <\/p>\n<p><iframe title=\"Cyndi Lauper - Girls Just Want To Have Fun (Official Video)\" width=\"960\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/PIb6AZdTr-A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&#8220;Girls Just Want To Have Fun&#8221; &#8211; Cyndi Lauper<br \/>\nThis week&#8217;s 1984 track is one of the most memorable of that year, and of the entire decade for that matter. Cyndi Lauper&#8217;s first solo single had been bubbling under the Top 40 for nearly two months before debuting at #31 the last week of January. The first week of February it was up to #21. By mid-March it would reach its peak of #2 for two weeks. Why did it struggle and then suddenly race up the chart? The video, of course! The stunning visuals combined with Lauper&#8217;s catchy-as-hell track grabbed America&#8217;s attention and launched one of the most remarkable years in pop music history.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Real Doll Time&#8221; &#8211; VR SEX I&#8217;m not sure exactly how to describe this song. It harkens back to the earliest days of punk with its aggression and hint of nastiness, but sounds thoroughly modern at the same time. No matter how it ends up getting categorized, it 100% rips. &#8220;Lagunita&#8221; &#8211; Lizzie No Lizzie No is primarily a folk artist, but when she decides to plug in and rock out, I dig the results. Not sure if this is a true Country or Not song, but it certainly has some CoN-esque vibes. &#8220;Alibi&#8221; &#8211; Hurray For The Riff Raff This, on the other hand, is a definite Country or Not entry. If you have a moaning peddle steel guitar in the mix you will always get that label. This seems like a big departure from HFTRR&#8217;s previous catalog, or at least from their songs that I&#8217;m familiar with. &#8220;Vanishing Point&#8221; &#8211; Tanlines I was trying to narrow down who\/what this track reminded me of. There&#8217;s a lot of New Romanticism in there, so Spandau Ballet, Bryan Ferry\/Roxy Music type pop. Certainly Bowie. A hint of late era Police? Most of all I hear coked-up, pasty white people trying to slow dance sexily. &#8220;newrules&#8221; &#8211; Sjowgren I can find almost no info about either this band or song. So I guess just listen and enjoy. &#8220;That&#8217;s the Joint&#8221; &#8211; Funky 4+1 Props to Brother in Music E$ for sharing this with a few of us this week. It is one of the most sampled songs in the history of hip hop. If you&#8217;ve never heard it in full before, I have no doubt there are dozens of little moments within that you&#8217;ve heard in dozens of other songs. &#8220;Girls Just Want To Have Fun&#8221; &#8211; Cyndi Lauper This week&#8217;s 1984 track is one of the most memorable of that year, and of the entire decade for that matter. Cyndi Lauper&#8217;s first solo single had been bubbling under the Top 40 for nearly two months before debuting at #31 the last week of January. The first week of February it was up to #21. By mid-March it would reach its peak of #2 for two weeks. Why did it struggle and then suddenly race up the chart? The video, of course! The stunning visuals combined with Lauper&#8217;s catchy-as-hell track grabbed America&#8217;s attention and launched one of the most remarkable years in pop music history.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[27],"class_list":["post-12504","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-media"],"acf":[],"_links":{"self":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/12504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/comments?post=12504"}],"version-history":[{"count":1,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/12504\/revisions"}],"predecessor-version":[{"id":12505,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/12504\/revisions\/12505"}],"wp:attachment":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/media?parent=12504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/categories?post=12504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/tags?post=12504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}