{"id":7221,"date":"2018-12-18T13:55:14","date_gmt":"2018-12-18T17:55:14","guid":{"rendered":"http:\/\/dsnotebook.me\/?p=7221"},"modified":"2024-08-30T13:05:16","modified_gmt":"2024-08-30T17:05:16","slug":"favorite-songs-of-2018","status":"publish","type":"post","link":"https:\/\/dsnotebook.me\/index.php\/2018\/12\/18\/favorite-songs-of-2018\/","title":{"rendered":"Favorite Songs of 2018"},"content":{"rendered":"<p>After about six weeks of hard work, here they are: my 22 favorite songs of 2018. Yeah, 22. Got a problem with that? I didn\u2019t think so.<\/p>\n<p>I\u2019ve provided both a Spotify playlist that goes from the end of the list to #1, and individual videos for each song. These posts are always hard to get right with all the embeds, so please be patient if it takes awhile to load.<\/p>\n<p>Most of all, enjoy!<\/p>\n<hr \/>\n<h3>Honorable Mention<\/h3>\n<p>\u201cNotes On a Life Not Quite Led\u201d &#8211; Mastersystem<br \/>\nThis was my hardest song to decide whether or not to include. For several months it was on the running list I keep throughout the year. Then I dropped it late in the summer when I stopped listening to all Scott Hutchison\u2019s music. Finally, at the last moment, I slipped it back in.<\/p>\n<p>Hutchison\u2019s final act was in a super group with his brother Grant and the Lockey brothers, also from Scotland, in a band with a much heavier sound than Frightened Rabbit\u2019s. It was to be a shout out to the \u201890s alt rock and grunge they grew up on. Several of the songs worked quite well.<\/p>\n<p>I imagine there is unreleased FR music that we\u2019ll hear at some point, but these are likely the final recordings we\u2019ll ever hear from Scott. There is an official video, but I decided to share this <em>The Quay Sessions<\/em> performance instead. It was recorded about a month before Scott\u2019s death and he, honestly, looks kind of terrible, which makes it painful to watch. But the song sounds amazing. Like so many of his songs, I can\u2019t help but pick apart the lyrics and connect them to how his life ended.<\/p>\n<blockquote><p>These words are meant for nothing<br \/>\nHope is born of hopelessness<br \/>\nThese thoughts won\u2019t change the clocks<br \/>\nNotes on a life not quite lived<\/p><\/blockquote>\n<p><iframe title=\"The Quay Sessions, Mastersystem\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/jfMcz34ReFg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>\u201cWhat Are You Like\u201d &#8211; Pugwash<br \/>\nAs I mentioned the first time I shared this song, it sounds like 1970s, California, AM Radio pop. So of course this dude us from Ireland. It doesn\u2019t have to make sense to be good.<\/p>\n<p><iframe title=\"Pugwash -  What Are You Like (feat. Matt Berry)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/_9K2gd7r9Kc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>\u201cToy Soldier\u201d &#8211; The Menzingers<br \/>\nThese Pennsylvania punks followed up last year\u2019s <em>After the Party<\/em> album with two excellent singles in 2018. This one hit me the hardest, mostly because of that one line that can be applied to so many things right now:<\/p>\n<blockquote><p>There\u2019s so much to be sad about these days<\/p><\/blockquote>\n<p><iframe title=\"The Menzingers - &quot;Toy Soldier&quot;\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/dmTt9ynL2OU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>\u201cMistake\u201d &#8211; Middle Kids<br \/>\nAfter a slow introduction that stretched over two years, Middle Kids finally released their first, full length album last spring. And it delivered on all the potential their early singles and EP suggested. I just went back and listened to the album about a week ago and was again surprised at how good so many of the songs are. They make my Favorites list for the third-straight year and are officially in the conversation for my favorite current band. I also enjoy watching Hannah Joy dance.<\/p>\n<p><iframe title=\"Middle Kids - Mistake (Official Video)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/lRmsyFCP-Jw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>\u201cSugar &amp; Spice\u201d &#8211; Hatchie<br \/>\nDream pop magnificence from Down Under. It sounds so bright and shiny, but there are hints of pain and regret in the lyrics. I just love the \u201cBut you don\u2019t call me baby anymore,\u201d line.<\/p>\n<p><iframe title=\"Hatchie \u2014 Sugar &amp; Spice (Official Video)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/hEUOoOXJBNs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>\u201cOne Day Left\u201d &#8211; Stars<br \/>\nA different spin on the break-up song: rather than writing about the breakup or its aftermath, Stars instead wrote about the final hours before the breakup. As often is the case with their songs, it sounds epic and magnificent despite the rather melancholy lyrics.<\/p>\n<p><iframe title=\"Stars - One Day Left (Official Lyric Video)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/xXW1BB6N1gg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h3>The Americana Tracks<\/h3>\n<p>\u201cGlass Jar\u201d &#8211; Tristen<br \/>\nWith a little help from Jenny Lewis, this Nashville artist splits the difference between poppy, 1970s country and psychedelic, 1960s pop. It\u2019s quite a combination.<\/p>\n<p><iframe title=\"Tristen - Glass Jar (feat. Jenny Lewis)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/q0vLj1ks2fE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>\u201cWake Up\u201d &#8211; Chastity Brown<br \/>\nAnother song that evokes 1970s AM radio, this with just a hint of country twang to back that driving beat that makes it a perfect road trip song.<\/p>\n<p><iframe title=\"Chastity Brown &quot;Wake Up&quot; [Official Video]\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/hiH9MRrN7dU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h3>The \u2018Sounds Like The War on Drugs\u2019 All Stars<\/h3>\n<p>\u201cQueens of the Breakers\u201d &#8211; The Barr Brothers<br \/>\n\u201cI Am A War Machine\u201d &#8211; SONTALK<br \/>\n\u201cLake Erie\u201d &#8211; Wild Pink<br \/>\nNo band was as good as The War on Drugs to my ears this year. No band dropped an album I listened to as much as TWOD\u2019s recent albums. But each of these songs carry a little of TWOD\u2019s spirit within them.<\/p>\n<p><iframe title=\"The Barr Brothers - Queens Of The Breakers (Live on KEXP)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/JCj1_s3siZg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"SONTALK - I Am a War Machine (Official Video)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/8PIKwXZtSNU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"Wild Pink - Lake Erie\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/uU2aD2zuMX8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<h3>The Top 10+<\/h3>\n<p>10 &#8211; \u201cWe Are All Going to Die\u201d &#8211; Spielbergs. This song made me want to run through walls, destroy stuff, and punch people. My co-coach for L\u2019s soccer team was also a fan, and kept saying we needed to make our team run out to it before games. I\u2019m not sure it would have pumped the kids up as much as the coaches.<\/p>\n<p><iframe title=\"We Are All Going to Die\" width=\"960\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/DlekuYTsy90?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>9 &#8211; \u201cThe Red Door\u201d &#8211; Restorations. Sharp, intelligent music that kicks ass. Thank goodness for the Restorations.<\/p>\n<p><iframe title=\"Restorations &quot;The Red Door&quot; Official Video\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/mSqNg8xdk_c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>8 &#8211; \u201cFrame for One\u201d &#8211; Jesse Marchant. I believe I heard this song, and the song that you\u2019ll find at #1, the same week back in January. That was a damn good week, although may have set my expectations too high for what was to follow in the rest of the year.<\/p>\n<p>This song begins warm and contemplative. The second guitar that comes in at the 2:42 mark takes it to another level. I can\u2019t believe this hasn\u2019t been used in like 80 movies and TV shows in very dramatic scenes.<\/p>\n<p><iframe title=\"Jesse Marchant - Frame for One (Official Video)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/hhSAzR8q8qo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>7a &#8211; An Air Conditioned Man &#8211; Rolling Blackouts Coastal Fever<br \/>\n7b &#8211; Mainland &#8211; Rolling Blackouts Coastal Fever<br \/>\nFor the fourth time in recent years, I\u2019m including two songs from one band. RBCF had an amazing year. When I first heard them a couple years back, I described them as Australia\u2019s answer to Parquet Courts: smart, hipster, art rock. However, where Parquet Courts remain very arty and snotty, RBCF have established themselves simply as a great band that invoke many of the traditional sounds of the best Australian pop and rock.<\/p>\n<p>Ironically, for the second-straight year, it is an Australian band that I believe made the most profound political statements.<a id=\"fnref-1\" class=\"footnote\" title=\"see footnote\" href=\"#fn-1\">[1]<\/a> On \u201cMainland,\u201d and others, RBCF blast the short-sighted, racist policies of Trump and others who hold similar views. And while \u201cAn Air Conditioned Man\u201d is more about the dreaded post-relationship period of ennui, I find those frenzied guitars to be filled with political overtones. Yeah, they\u2019re bummed they lost their girl. But what really pisses them off is the state of the world.<\/p>\n<p><iframe title=\"Rolling Blackouts Coastal Fever - An Air Conditioned Man (Live on KEXP)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/b0LnbEK2iB8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe title=\"Rolling Blackouts Coastal Fever - Mainland (Live on KEXP)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/FV5daEJqCR4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>6 &#8211; \u201cJust Goes to Show\u201d &#8211; Eliza Shaddad<br \/>\nI damn near missed Shaddad\u2019s first full-length album as it got very little run in the US. Thank goodness I accidentally stumbled across it, though, because the album is fantastic &#8211; showing strong growth from her 2016 EP &#8211; and this song soars. She said when she wrote it she imagined it playing in the final scene of some cheesy 1990s teen movie. When I read that I nearly shouted \u201cYES!\u201d because that is exactly the vibe I picked up the first time I heard it.<\/p>\n<p><iframe title=\"Eliza Shaddad - Just Goes to Show\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/kBNcdBDO2cs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>5 &#8211; \u201cMe &amp; My Dog\u201d &#8211; boygenius<br \/>\nThe second super group of the countdown, this one features Lucy Dacus, Julien Baker, and Phoebe Bridgers, who takes the lead vocals here. Bridgers has become one of my favorite new artists &#8211; see the next song &#8211; and Baker and Dacus slide in beautifully behind her, elevating the song without taking it over.<\/p>\n<p><iframe title=\"boygenius - &quot;Me &amp; My Dog&quot; (Live at WFUV)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/6T5zc36sAIE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>4 &#8211; The Gold &#8211; Phoebe Bridgers covering Manchester Orchestra.<br \/>\n\u201cThe Gold\u201d remains one of the most remarkable indie rock songs of recent years. The various SiriusXM alt\/indie rock stations kept the Manchester Orchestra original, which finished at <a href=\"http:\/\/dsnotebook.me\/26-favorite-songs-of-2017\/\">#2 on last year\u2019s Favorites list<\/a>, in regular rotation for nearly eight months of 2017. And, amazingly, I still heard it often deep into 2018. One week this October I heard it five or six times; once twice within the same 15 minutes (on two different stations). It\u2019s a great, great song.<\/p>\n<p>And then Phoebe Bridgers did this to it\u2026 There\u2019s no way I can say her version is better than MO\u2019s. But it is still crazy good. It has all the elements of a great cover: pays proper respect to the original while still taking it in a direction that is consistent with the covering artist\u2019s sound. Had I never heard the original, this would totally sound like a Bridgers-penned track. It sounds so good, in fact, that I\u2019m putting a cover of a song that is only one year old by an artist who already appeared in the countdown at #4 for the year. Breaking all kinds of D\u2019s Dumb Music List Rules here!<\/p>\n<p><iframe title=\"Manchester Orchestra - The Gold (Phoebe Bridgers Version)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/6VzWK08EmMk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>3 &#8211; \u201cPynk (feat. Grimes)\u201d &#8211; Janelle Mon\u00e1e<br \/>\nWe don\u2019t deserve Janelle Mon\u00e1e. She makes shockingly good music. She\u2019s the most natural heir to Prince\u2019s sound; he assisted on some of the early work for her <em>Dirty Computer<\/em> album before his death. She makes amazing visual art. She\u2019s a fine actress. And she takes bold social stances. My quote of the year is her proclaiming that she is a \u201cfree-ass motherfucker\u201d when confirming her relationship with actress Tessa Thompson and describing herself as \u201cPan-Sexual.\u201d We need more free-ass motherfuckers in the world.<\/p>\n<p>This is not one of the songs that she worked with Prince on. But it has all the hallmarks of one of his early classics. It\u2019s funky, sneakily nasty-as-hell, and is a total earworm. You can\u2019t help but drop your windows, snap your fingers, and sing along.<\/p>\n<p><iframe title=\"Janelle Mon\u00e1e - PYNK [Official Music Video]\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/PaYvlVR_BEc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>2 &#8211; \u201cBelieve\u201d &#8211; Amen Dunes<br \/>\nDamon McMahon defies defining. He doesn\u2019t make bedroom pop, experimental folk, or straight indie but rather a hybrid of these three sounds, with elements of others thrown in as well. His album <em>Freedom<\/em> sounded different than anything else that was released this year. And its songs stuck with me throughout the year.<\/p>\n<p>This one hit the hardest. Each of McMahon\u2019s songs have a specific topic or point of inspiration. Here it is the final days of his mother\u2019s life. As she was fighting a terminal illness they, for perhaps the first time in their lives together, sat down and had some hard conversations about the way she lived her life, how it impacted McMahon, and whether they could find a way to get beyond that and become close as her life wound down. The closing section sounds like one of those difficult interactions, completed in brief statements in the moments when her pain wanes.<\/p>\n<p>Pretty heavy stuff. The song is haunting without diving into the lyrics and their inspiration. Knowing that background makes it unforgettable.<\/p>\n<p><iframe title=\"Amen Dunes - Believe (Official Music Video)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/KgHA0sYvxsQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>1 &#8211; \u201cNight Shift\u201d &#8211; Lucy Dacus<br \/>\nOne of the other members of boygenius delivered the first great song I heard this year. One that was never topped.<\/p>\n<p>I was a fan of Dacus\u2019 work already, but on <em>Historian<\/em> she made a stunning leap in her craft. Almost every song is fantastic. Which they kind of had to be since this is track one on the disk.<\/p>\n<p>It begins with one of the best lyrics of the year:<\/p>\n<blockquote><p>The first time I tasted somebody else\u2019s spit I had a coughing fit.<br \/>\nI mistakenly called them by your name<br \/>\nI was let down, it wasn\u2019t the same.<\/p><\/blockquote>\n<p>From there it evolves into a different kind of breakup song. It isn\u2019t just about the pain of the relationship ending, or blaming either side for its failure. Rather it is about two people who still live in the same world trying to find a way to carry on as normal without bumping into each other. The choices we are forced to make aren\u2019t always good ones, but sometimes they are necessary if you don\u2019t want to upend your entire life.<\/p>\n<blockquote><p>You got a 9 to 5, so I\u2019ll take the night shift<br \/>\nAnd I\u2019ll never see you again if I can help it<\/p><\/blockquote>\n<p>Dacus delivers an absolute powerhouse vocal performance, one that is raw and full of every emotion that comes with attempting to move on.<\/p>\n<p><iframe title=\"Lucy Dacus - &quot;Night Shift&quot; (Official Audio)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/0WDZdT04ls4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><iframe title=\"Spotify Embed: Favorite Songs of 2018\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/6VJA0gDupe5V4Ko898PegD?si=_WleMQLnQrebuh9Fb55Tug&#038;utm_source=oembed\"><\/iframe><\/p>\n<div class=\"footnotes\">\n<hr \/>\n<ol>\n<li id=\"fn-1\">Last year it was Gang of Youths. <a class=\"reversefootnote\" title=\"return to article\" href=\"#fnref-1\">\u00a0\u21a9<\/a><\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>After about six weeks of hard work, here they are: my 22 favorite songs of 2018. Yeah, 22. Got a problem with that? I didn\u2019t think so. I\u2019ve provided both a Spotify playlist that goes from the end of the list to #1, and individual videos for each song. These posts are always hard to get right with all the embeds, so please be patient if it takes awhile to load. Most of all, enjoy! Honorable Mention \u201cNotes On a Life Not Quite Led\u201d &#8211; Mastersystem This was my hardest song to decide whether or not to include. For several months it was on the running list I keep throughout the year. Then I dropped it late in the summer when I stopped listening to all Scott Hutchison\u2019s music. Finally, at the last moment, I slipped it back in. Hutchison\u2019s final act was in a super group with his brother Grant and the Lockey brothers, also from Scotland, in a band with a much heavier sound than Frightened Rabbit\u2019s. It was to be a shout out to the \u201890s alt rock and grunge they grew up on. Several of the songs worked quite well. I imagine there is unreleased FR music that we\u2019ll hear at some point, but these are likely the final recordings we\u2019ll ever hear from Scott. There is an official video, but I decided to share this The Quay Sessions performance instead. It was recorded about a month before Scott\u2019s death and he, honestly, looks kind of terrible, which makes it painful to watch. But the song sounds amazing. Like so many of his songs, I can\u2019t help but pick apart the lyrics and connect them to how his life ended. These words are meant for nothing Hope is born of hopelessness These thoughts won\u2019t change the clocks Notes on a life not quite lived \u201cWhat Are You Like\u201d &#8211; Pugwash As I mentioned the first time I shared this song, it sounds like 1970s, California, AM Radio pop. So of course this dude us from Ireland. It doesn\u2019t have to make sense to be good. \u201cToy Soldier\u201d &#8211; The Menzingers These Pennsylvania punks followed up last year\u2019s After the Party album with two excellent singles in 2018. This one hit me the hardest, mostly because of that one line that can be applied to so many things right now: There\u2019s so much to be sad about these days \u201cMistake\u201d &#8211; Middle Kids After a slow introduction that stretched over two years, Middle Kids finally released their first, full length album last spring. And it delivered on all the potential their early singles and EP suggested. I just went back and listened to the album about a week ago and was again surprised at how good so many of the songs are. They make my Favorites list for the third-straight year and are officially in the conversation for my favorite current band. I also enjoy watching Hannah Joy dance. \u201cSugar &amp; Spice\u201d &#8211; Hatchie Dream pop magnificence from Down Under. It sounds so bright and shiny, but there are hints of pain and regret in the lyrics. I just love the \u201cBut you don\u2019t call me baby anymore,\u201d line. \u201cOne Day Left\u201d &#8211; Stars A different spin on the break-up song: rather than writing about the breakup or its aftermath, Stars instead wrote about the final hours before the breakup. As often is the case with their songs, it sounds epic and magnificent despite the rather melancholy lyrics. The Americana Tracks \u201cGlass Jar\u201d &#8211; Tristen With a little help from Jenny Lewis, this Nashville artist splits the difference between poppy, 1970s country and psychedelic, 1960s pop. It\u2019s quite a combination. \u201cWake Up\u201d &#8211; Chastity Brown Another song that evokes 1970s AM radio, this with just a hint of country twang to back that driving beat that makes it a perfect road trip song. The \u2018Sounds Like The War on Drugs\u2019 All Stars \u201cQueens of the Breakers\u201d &#8211; The Barr Brothers \u201cI Am A War Machine\u201d &#8211; SONTALK \u201cLake Erie\u201d &#8211; Wild Pink No band was as good as The War on Drugs to my ears this year. No band dropped an album I listened to as much as TWOD\u2019s recent albums. But each of these songs carry a little of TWOD\u2019s spirit within them. The Top 10+ 10 &#8211; \u201cWe Are All Going to Die\u201d &#8211; Spielbergs. This song made me want to run through walls, destroy stuff, and punch people. My co-coach for L\u2019s soccer team was also a fan, and kept saying we needed to make our team run out to it before games. I\u2019m not sure it would have pumped the kids up as much as the coaches. 9 &#8211; \u201cThe Red Door\u201d &#8211; Restorations. Sharp, intelligent music that kicks ass. Thank goodness for the Restorations. 8 &#8211; \u201cFrame for One\u201d &#8211; Jesse Marchant. I believe I heard this song, and the song that you\u2019ll find at #1, the same week back in January. That was a damn good week, although may have set my expectations too high for what was to follow in the rest of the year. This song begins warm and contemplative. The second guitar that comes in at the 2:42 mark takes it to another level. I can\u2019t believe this hasn\u2019t been used in like 80 movies and TV shows in very dramatic scenes. 7a &#8211; An Air Conditioned Man &#8211; Rolling Blackouts Coastal Fever 7b &#8211; Mainland &#8211; Rolling Blackouts Coastal Fever For the fourth time in recent years, I\u2019m including two songs from one band. RBCF had an amazing year. When I first heard them a couple years back, I described them as Australia\u2019s answer to Parquet Courts: smart, hipster, art rock. However, where Parquet Courts remain very arty and snotty, RBCF have established themselves simply as a great band that invoke many of the traditional sounds of the best Australian pop and rock. Ironically, for the second-straight year, it is an Australian band that I believe made the most profound political statements.[1] On \u201cMainland,\u201d and others, RBCF blast the short-sighted, racist policies of Trump and others who hold similar views. And while \u201cAn Air Conditioned Man\u201d is more about the dreaded post-relationship period of ennui, I find those frenzied guitars to be filled with political overtones. Yeah, they\u2019re bummed they lost their girl. But what really pisses them off is the state of the world. 6 &#8211; \u201cJust Goes to Show\u201d &#8211; Eliza Shaddad I damn near missed Shaddad\u2019s first full-length album as it got very little run in the US. Thank goodness I accidentally stumbled across it, though, because the album is fantastic &#8211; showing strong growth from her 2016 EP &#8211; and this song soars. She said when she wrote it she imagined it playing in the final scene of some cheesy 1990s teen movie. When I read that I nearly shouted \u201cYES!\u201d because that is exactly the vibe I picked up the first time I heard it. 5 &#8211; \u201cMe &amp; My Dog\u201d &#8211; boygenius The second super group of the countdown, this one features Lucy Dacus, Julien Baker, and Phoebe Bridgers, who takes the lead vocals here. Bridgers has become one of my favorite new artists &#8211; see the next song &#8211; and Baker and Dacus slide in beautifully behind her, elevating the song without taking it over. 4 &#8211; The Gold &#8211; Phoebe Bridgers covering Manchester Orchestra. \u201cThe Gold\u201d remains one of the most remarkable indie rock songs of recent years. The various SiriusXM alt\/indie rock stations kept the Manchester Orchestra original, which finished at #2 on last year\u2019s Favorites list, in regular rotation for nearly eight months of 2017. And, amazingly, I still heard it often deep into 2018. One week this October I heard it five or six times; once twice within the same 15 minutes (on two different stations). It\u2019s a great, great song. And then Phoebe Bridgers did this to it\u2026 There\u2019s no way I can say her version is better than MO\u2019s. But it is still crazy good. It has all the elements of a great cover: pays proper respect to the original while still taking it in a direction that is consistent with the covering artist\u2019s sound. Had I never heard the original, this would totally sound like a Bridgers-penned track. It sounds so good, in fact, that I\u2019m putting a cover of a song that is only one year old by an artist who already appeared in the countdown at #4 for the year. Breaking all kinds of D\u2019s Dumb Music List Rules here! 3 &#8211; \u201cPynk (feat. Grimes)\u201d &#8211; Janelle Mon\u00e1e We don\u2019t deserve Janelle Mon\u00e1e. She makes shockingly good music. She\u2019s the most natural heir to Prince\u2019s sound; he assisted on some of the early work for her Dirty Computer album before his death. She makes amazing visual art. She\u2019s a fine actress. And she takes bold social stances. My quote of the year is her proclaiming that she is a \u201cfree-ass motherfucker\u201d when confirming her relationship with actress Tessa Thompson and describing herself as \u201cPan-Sexual.\u201d We need more free-ass motherfuckers in the world. This is not one of the songs that she worked with Prince on. But it has all the hallmarks of one of his early classics. It\u2019s funky, sneakily nasty-as-hell, and is a total earworm. You can\u2019t help but drop your windows, snap your fingers, and sing along. 2 &#8211; \u201cBelieve\u201d &#8211; Amen Dunes Damon McMahon defies defining. He doesn\u2019t make bedroom pop, experimental folk, or straight indie but rather a hybrid of these three sounds, with elements of others thrown in as well. His album Freedom sounded different than anything else that was released this year. And its songs stuck with me throughout the year. This one hit the hardest. Each of McMahon\u2019s songs have a specific topic or point of inspiration. Here it is the final days of his mother\u2019s life. As she was fighting a terminal illness they, for perhaps the first time in their lives together, sat down and had some hard conversations about the way she lived her life, how it impacted McMahon, and whether they could find a way to get beyond that and become close as her life wound down. The closing section sounds like one of those difficult interactions, completed in brief statements in the moments when her pain wanes. Pretty heavy stuff. The song is haunting without diving into the lyrics and their inspiration. Knowing that background makes it unforgettable. 1 &#8211; \u201cNight Shift\u201d &#8211; Lucy Dacus One of the other members of boygenius delivered the first great song I heard this year. One that was never topped. I was a fan of Dacus\u2019 work already, but on Historian she made a stunning leap in her craft. Almost every song is fantastic. Which they kind of had to be since this is track one on the disk. It begins with one of the best lyrics of the year: The first time I tasted somebody else\u2019s spit I had a coughing fit. I mistakenly called them by your name I was let down, it wasn\u2019t the same. From there it evolves into a different kind of breakup song. It isn\u2019t just about the pain of the relationship ending, or blaming either side for its failure. Rather it is about two people who still live in the same world trying to find a way to carry on as normal without bumping into each other. The choices we are forced to make aren\u2019t always good ones, but sometimes they are necessary if you don\u2019t want to upend your entire life. You got a 9 to 5, so I\u2019ll take the night shift And I\u2019ll never see you again if I can help it Dacus delivers an absolute powerhouse vocal performance, one that is raw and full of every emotion that comes with attempting to move on. Last year it was Gang of Youths. \u00a0\u21a9<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[71,9],"class_list":["post-7221","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-favorite-songs","tag-music"],"acf":[],"_links":{"self":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/7221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/comments?post=7221"}],"version-history":[{"count":1,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/7221\/revisions"}],"predecessor-version":[{"id":13294,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/7221\/revisions\/13294"}],"wp:attachment":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/media?parent=7221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/categories?post=7221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/tags?post=7221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}