{"id":910,"date":"2006-12-29T16:48:51","date_gmt":"2006-12-29T16:48:51","guid":{"rendered":"http:\/\/localhost:8888\/wordpress\/?p=910"},"modified":"2024-09-29T14:17:49","modified_gmt":"2024-09-29T18:17:49","slug":"top-songs-of-2006-5-1","status":"publish","type":"post","link":"https:\/\/dsnotebook.me\/index.php\/2006\/12\/29\/top-songs-of-2006-5-1\/","title":{"rendered":"Top Songs of 2006, 5-1"},"content":{"rendered":"<p>Finishing up this year&#8217;s business. The five songs that when I think of 2006, I will think of most. Happy New Year to all.<\/p>\n<p>5 &#8211; &#8220;Unemployable&#8221; &#8211; Pearl Jam. Yeah, I&#8217;m a fan. Sue me. A damn fine song regardless. Pearl Jam&#8217;s greatest hook ever? It might well be. This song summed up what most of their self-titled album was all about: getting to the point without any embellishment. Almost no guitar solo, quick, nearly non-existent choruses. A perfect little power pop gem with a conscious.<\/p>\n<p>4 &#8211; &#8220;Crazy&#8221; &#8211; Gnarls Barkley. When your song is almost immediately covered by dozens of other artists, you know you&#8217;ve written something special.<\/p>\n<p>3 &#8211; &#8220;The Crane Wife 3&#8221; &#8211; The Decembrists. Heartbreaking Japanese folktale put to music in a very Decembrist manner. That rolling bassline perfectly balances the somber mandolin\/guitar lead.<\/p>\n<p>2 &#8211; &#8220;Invitation&#8221; &#8211; The High Violets. 2006 was the year I discovered nu-gaze, the revival of the 1990s shoe-gaze sound. The High Violets are one of the better practitioners of the updated sound, and while this song gets away from pure nu-gaze a bit, it is the track that stuck out the most for me this year. Heavenly, ethereal, stunning, and magnificent, recalling the best work of Lush and the Cocteau Twins.<\/p>\n<p>1 &#8211; &#8220;Star Witness&#8221; &#8211; Neko Case. Sometimes the first time you hear a song you know you&#8217;ll never be the same. This song didn&#8217;t change my life, but I knew, way back in March, that it would be tough to top this for the year&#8217;s best track. It stood the test of time and all comers. Each time I hear it, I think it should be used in some crime\/noir film. A scene shot in a smoky, dark club. A hushed conversation at a corner table. In the background, a singer. The conversation comes to a pause, the music fades up, and then you hear that voice. The camera turns to Neko on stage, singing her heart out, and the scene is complete.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Finishing up this year&#8217;s business. The five songs that when I think of 2006, I will think of most. Happy New Year to all. 5 &#8211; &#8220;Unemployable&#8221; &#8211; Pearl Jam. Yeah, I&#8217;m a fan. Sue me. A damn fine song regardless. Pearl Jam&#8217;s greatest hook ever? It might well be. This song summed up what most of their self-titled album was all about: getting to the point without any embellishment. Almost no guitar solo, quick, nearly non-existent choruses. A perfect little power pop gem with a conscious. 4 &#8211; &#8220;Crazy&#8221; &#8211; Gnarls Barkley. When your song is almost immediately covered by dozens of other artists, you know you&#8217;ve written something special. 3 &#8211; &#8220;The Crane Wife 3&#8221; &#8211; The Decembrists. Heartbreaking Japanese folktale put to music in a very Decembrist manner. That rolling bassline perfectly balances the somber mandolin\/guitar lead. 2 &#8211; &#8220;Invitation&#8221; &#8211; The High Violets. 2006 was the year I discovered nu-gaze, the revival of the 1990s shoe-gaze sound. The High Violets are one of the better practitioners of the updated sound, and while this song gets away from pure nu-gaze a bit, it is the track that stuck out the most for me this year. Heavenly, ethereal, stunning, and magnificent, recalling the best work of Lush and the Cocteau Twins. 1 &#8211; &#8220;Star Witness&#8221; &#8211; Neko Case. Sometimes the first time you hear a song you know you&#8217;ll never be the same. This song didn&#8217;t change my life, but I knew, way back in March, that it would be tough to top this for the year&#8217;s best track. It stood the test of time and all comers. Each time I hear it, I think it should be used in some crime\/noir film. A scene shot in a smoky, dark club. A hushed conversation at a corner table. In the background, a singer. The conversation comes to a pause, the music fades up, and then you hear that voice. The camera turns to Neko on stage, singing her heart out, and the scene is complete.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[71,9],"class_list":["post-910","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-favorite-songs","tag-music"],"acf":[],"_links":{"self":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/comments?post=910"}],"version-history":[{"count":1,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/910\/revisions"}],"predecessor-version":[{"id":15348,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/posts\/910\/revisions\/15348"}],"wp:attachment":[{"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/media?parent=910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/categories?post=910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dsnotebook.me\/index.php\/wp-json\/wp\/v2\/tags?post=910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}