Chart Week: November 4, 1978
Song: “Alive Again” – Chicago
Chart Position: #21, 3rd week on the chart. Peaked at #14 for two weeks in December.
In the Seventies and Eighties the band Chicago was like air: they were always around. In over 21 years of hitting the pop chart, they had 34 Top 40 singles, 20 Top 10s, and three number ones.[1]
Hits on top of hits on top of hits.
While their music was generally right down the middlest portion of the middle of the road, especially in the Eighties, they did have a unique sound thanks to their horn section. Chicago’s blend of rock and pop, R&B and soul, and even jazz was unlike any other band, save maybe Earth, Wind, & Fire. I would argue the bands were quite different, but since they were the only two that had great success with horns on pretty much every song, they have to be mentioned together.[2]
The second part of Chicago’s career, which covered their Eighties peak, came with a pronounced move away from some of the quirky eccentricity of their Seventies music into mostly soft rock/Adult Contemporary. That second act almost didn’t happen.
In January 1978, founding member and guitar player Terry Kath was partying with a band roadie. While joking around with a gun, Kath put it to his head and pulled the trigger, not realizing there was a round in the chamber. He died instantly.
The band was devastated. Kath was a huge part of Chicago’s sound and one of the most respected guitar players of the era. For several months the surviving members debated whether they should continue making music together or not.
Eventually they regrouped and hit the studio to record their tenth studio album, Hot Streets. “Alive Again” was the first single released after Kath’s death. While ostensibly about a romantic partner bringing happiness back to the narrator’s life, it is clearly also about picking up the pieces and moving on after a personal tragedy.
Yesterday I would not have believed
That tomorrow the sun would shine
Later, songwriter James Pankow said it was indeed about the band coming together and renewing their partnership as Kath looked down on them and smiled. Chicago was alive again.
I think I knew this story pretty soon after “Alive Again” came out. A couple of my uncles were into Chicago, and I must have overheard them talking about the band’s comeback. Or maybe I just heard Casey Kasem tell the story as my mom played AT40 in the kitchen.
Even back then I was struck by how joyous this track sounded. Peter Cetera’s vocals are filled an almost defiant cheer. The horns have the classic sharp, powerful Chicago sound. For a band that was on the verge of breaking up following a tragedy, they were remarkably locked in and energized.
In fact, given what they had been through, the brightness of this song could be a little off-putting if you think about it enough. But Chicago got famous making buoyant pop songs about the simple pleasures in life, not by making profound statements of life and death. So perhaps it would have been more out-of-character to have made a song that more directly addressed their grief.
“Alive Again” stands in stark contrast to how The Pretenders dealt with the loss of their guitar player a few years later. I’ve always said there is no right or wrong way to grieve, we all find our own path. These songs are good examples of that.
I liked a lot of Chicago’s music when I was younger. I can still admire their craft on a few songs. However, their catalog very much strikes me as mellow, old people music now. While I may be trending in that direction, it’s not what I would choose to listen to.
This song, though, has an energy that separates it from many of their other big hits. A little more rock-y than usual, with even a hint of toughness. A tease of disco, likely picked up when the horn section worked with the Bee Gee’s on “Tragedy” earlier in the year. It has an energy that was rare in Chicago’s biggest hits. “Alive Again” is the one Chicago track I’m excited to hear a few times every year. 7/10
For the video portion, you get some bonus Dick Clark action.