Tag: music (Page 1 of 87)

Friday Playlist

A crazy week in our house, for a bunch of reasons, so my comments on this week’s batch of music will be even more half-assed than normal. Never fear, the songs are still good!

“Focus” – Preoccupations
This band’s sound never changes much, even though their name has changed over the years. They still have this great, timeless, post-punk sound.

“Champagne Taste” – Sunflower Bean
Maybe a little Veruca Salt…salt? in this latest SB track?

“Draggin’ On” – Pink Chameleons
This band reminds me of The Jesus and Mary Chain with the psychedelic slider cranked all the way up.

“This Town” – Brooke Combe
If I gave you a million chances, would you ever have guessed that this wonderful piece of neo-soul comes from Scotland? Doesn’t exactly fit the standard, Scottish sound, does it? And Combe isn’t even from Glasgow or Edinburgh proper, she’s from a tiny town on the far outskirts of Edinburgh.

“Pushing Daisies” – Star 99
If you took mid-90s J. Mascis, in his Dinosaur Jr. form, and added a heathy dose of classic R.E.M., it might sound like this San Jose band.

“Volume Control” – Swervedriver
This band doesn’t sound like anyone but themselves. Swervedriver making a comeback about 10 years ago and then sticking around to keep making more solid music was a very good thing.

“Damage” – Salim Nourallah
Two weeks in a row we have a song that features vocals that sound like Soul Asylum singer Dave Piner. That seems super random, no?

“If You Tolerate This Your Children Will Be Nest” – Manic Street Preachers
The Manics have new music out, which is ok. But it made me think of their greatest song and how it applies to the current state of the world.

Friday Playlist

“Eden” – Baths
A little world music influence to this buoyant, fun track.

“Ankles” – Lucy Dacus
We are officially on the clock for a new Lucy Dacus album. No surprise it seems like it’s going to be wonderful, as usual.

“Take Your Aim” – Rocket
Some serious Smashing Pumpkin vibes on this track. Fortunately their singer is better than Billy C so I can happily listen to it.

“Let Me Go” – Deep Sea Diver featuring Madison Cunningham
Sharon Van Etten is having a moment with the release of her new album. You could easily slide this track onto that LP.

“Everything You Want” – The Disappearing Act
Wrapping up three straight songs that sound like other bands, I had to quadruple check that Dave Pirner of Soul Asylum wasn’t singing lead here. He was not.

“Fourth Street” – Dutch Interior
I don’t think this band sounds specifically like another, but there are sure little threads of other artists winding through their sound. None distinct enough to pin down, but present enough to make this song sound very familiar.

“Speed Freak” – Youth Lagoon
YL leader Trevor Powers had this to say about this song:

“We spend our whole lives running from this thing we can’t outrun. This body is temporary, but there is no death. Only transformation. A door opens when you learn to let go of the identity you’ve been building your whole life. Someone told me a couple years ago, ‘I have good news for you and I have bad news. The bad news is Trevor is doomed. There’s no hope for Trevor. The good news is — you’re not Trevor.’ When I heard that, it clicked.”

Ooooooookay. Good song, though.

“High Beams” – The Laughing Chimes
Something lighter to break up what has become kind of a heavy playlist. Mid-February sucks.

“Story of the Egg” – Cloackroom
Stereogum’s Tom Breihan described this band, which comes from the industrial wastelands of northwest Indiana, as “sick ass.” Highest praise!

“Valentine’s Day” – Bruce Springsteen
It was 8° when I woke up this morning. Next week looks brutally cold. Not exactly the kind of weather that makes you think of romance, so a dreary song about today’s holiday seemed in order.

“Rockin’ In The Free World” – Jack White
Pearl Jam has been using this as one of their show closers for years. Jack Mutherfucking White OPENED a show in Toronto with it last week.

If you go to YouTube you can watch Jack and PJ play this song together at a 2018 show in Portugal.

Friday Playlist

We stay knee-deep in the new music another week.

“Prisoner of Beauty” – The Limiñanas, Bobby Gillespie
I can find almost no information about this song or band, which is from the far south of France. So all I can say about it is that it 100% sounds like it should have been in some gritty film during the mid-90s indie movie craze.

“All My Freaks” – Divorce
Kind of funny that a brand new band is writing a song about all the troubles that come with being famous. Like, how do they know anything about that yet?

“Never Said Goodbye” – Jake Bugg
Favorite song of the week alert. This absolutely majestic track draws a straight line back to DMAs and then to Oasis. Apparently Bugg’s latest album came out in September but I just discovered it in the past couple weeks. So, yes, I’ve been hating myself about that even since.

“I Want You (Fever)” – Momma
There’s some serious Nineties alt rock queen DNA in here, touching up against Garbage territory.

“Blackstar” – Fanning Dempsey National Park
Not a Radiohead cover – that would be “Black Star” anyway – but another fine song from this newish, Aussie, super-duo.

“Loving You” – Jorja Smith featuring Maverick Sabre
This week’s neo-soul track.

“Nice Clean Shirt” – Beeef
I’ve reached the point in the year where I start exploring options for new t-shirts for warm weather months. Mmmmmm, nice, clean shirts…

“Holding Pattern” – Prism Shores
Speaking of spring, this jangly tune is full of springtime vibes.

“Give It Time” – Goose
A perfect combination of Goose’s mainstream and jam band sides.

“Santa Monica” – Everclear
I had to make a quick run to the grocery store around the corner for a couple things last night. It should have been a minute in-and-out type deal. But suddenly I heard a familiar guitar riff over the in-store music – one of the greatest riffs of the Nineties – and had to walk around for a few minutes to enjoy “Santa Monica” is all its glory. If you muted this and just watched the visuals, there would still be no doubt what decade this video was from.

Friday Playlist

No sign that the current pace of new music will slacken any time soon, which means I will continue to have the pleasure of providing music to soundtrack a good chunk of your Fridays for the foreseeable future.

“People Of Substance” – Craig Finn
DAD ROCK ALERT!!!!! Craig Finn has new music out! And it is produced by Adam Granduciel! And the other members of The War On Drugs are playing on it! What a great day to be a middle aged white dude who still listens to cool music! There is no chance you can miss that TWOD presence on this track.

“Ankles” – Lucy Dacus
Less dad rocky, to be sure, but another literate artist I love with new music.

“Good Old Fashioned Fun” – WOOZE
“Hooked” – Franz Ferdinand
I heard the new WOOZE track and thought it had some serious Franz Ferdinand vibes. A couple days later I hear FF’s new song. Serendipitous!

“Together” – Blankenberge
Some tremendous Shoegaze from Russia, of all places. I’m going to assume that since these kids are cool enough to play music this good, they are anti-war, so I will not boycott their songs.

“It’s a Mirror” – Perfume Genius
Based on my inability to connect with his music before 2020, I figured my love of PG’s “On the Floor,” my #3 song of 2020, was a momentary blip. This, though, is a tremendous song as well. I am officially intrigued by what is to come.

“T&A” – Blondshell
Blondshell made my favorite tracks list last year (with some help from her friend Bully) with “Docket,” a song about the perils of hooking up while touring. Here is another powerhouse song about how sex can mess things up.

“Hazy Shade of Winter” – The Bangles
With February about to arrive, we are in the dog days of winter. That said, we have two days approaching 60 in the forecast and the last of the piles of snow in our yard and driveway should be gone by Tuesday morning. So maybe not ideal conditions to play this, but my annual reminder this is one of the greatest covers ever recorded.

“No Excuses” – Alice in Chains
I read this article earlier in the week about the 31st anniversary of AiC’s Jar of Flies EP. Which is a weird year to mark. But, still, it made me go back and listen to the EP, and then some other AiC tracks. For those who were around at the time, remember how shocking this song was because of its beauty, especially when compared to the songs from the Dirt album, which was basically 100% about heroin? Still a great song.

Friday Playlist

“Giving Up” – Michigander
This sounds super happy, which was how I wanted to start this week’s playlist. Then you evaluate the lyrics and see it’s not happy after all. There’s a metaphor in there somewhere.

“Jealousy” – Phantogram
While we need happy songs at the moment, I’m also down with ones that sound good and pissed off.

“Wants Needs” – Bartees Strange
Strange is like a 50-50 artist for me. Half his songs I really like, the other half I’ll listen to once or twice and be done with. This one definitely falls into that first camp.

“Erotica” – Miya Folick
A song that challenges the notions of what sex and fantasy are “supposed to look like” yet sounds this sweet is the perfect distillation of the Miya Folick experience.

“Following The Taillights” – Supercrush
Some series Posies echoes on this track. I like how it starts with 90s vibes then rolls in two very 80s guitar solos.

“Cradle The Pain” – Morgan Nagler
Nagler has been a member of a couple smaller bands, then helped artists like Phoebe Bridgers, the Breeders, and HAIM write their songs. This is her debut solo single, and it both kicks ass and shows a lot of promise for where she’s headed.

“Up To The Mountain (MLK Song)” – Patty Griffin
I heard this Monday during a radio tribute to Martin Luther King, Jr. and was completely floored by it. And was mad that I had never heard it before this week.

“10 Lbs.” – The Super Friendz
I’m not sure if I remember this band or song or not. Their name sounds vaguely familiar, but glancing at their discography nothing really jumped out at me. Spotify spit out this track from 1997 and I loved it right away. I especially enjoy how it spins a little out of control in the closing section.

“Fuck, I Hate the Cold” – Cowboy Junkies
Good grief, can we get a little warmup around here? I’d be thrilled with a couple days in the low 40s.

“Orange Crush” – R.E.M.
I did some random scrolling through my Spotify catalog and landed on this for our video of the week. Great, great song from that moment when the broader music audience (including me) was just starting to realize what a fantastic band R.E.M. was.

Friday Playlist

The new music for the new year continues to pile up, so for at least the next couple weeks I’m going to share extra-stuffed playlists. Think of them as musical firewood to keep you warm as the polar vortex announces its unwelcome arrival.

“Here We Go Crazy” – Bob Mould
Hey, Bob Mould has new music out! Hey, I just got tickets to see Bob Mould in May!

“Sugar in the Tank” – Julien Baker, TORRES
Well here is an interesting-as-hell test case for my Country Or Not identifier. This might be the twangiest song I’ve ever shared. And at first listen it should come across as completely country. But when you dive into the lyrics, assess its vibe, and understand who sings it, that categorization changes. You have two Queer (and at least one super liberal) artists singing a song that uses a euphemism for being gay in its title (I did not know that was another meaning for the phrase “sugar in the tank” until this week). Something tells me country radio isn’t ready or interested in a song with that background.

You know what, despite the twang, I freaking love this song. Each year it’s a fun exercise to see how long it takes me to create my working folder for favorite songs of the new year, and what the first song I drop into it is. This year the date was January 14 and this track was responsible.

“Knockin’ Heart” – Hamilton Leithauser
Leithauser’s post-Walkmen music has always been eclectic. This track still doesn’t have the majestic power of those classic, early 2000s songs, but it does come a little closer to the classic Walkmen sound.

“Southern Life (What It Must Be Like)” – Sharon Van Etten
Man, what a fantastic, moody, beast of a song.

“Can You Feel It” – Floodlights
This band is from Australia, which I think is apparent. But this song was fleshed out while they were in London, and I hear a healthy dose of British post-punk that they picked up while they were there.

“last night’s mascara” – Griff
Some quality “post night out regret” pop. Hey, I just invented a new musical subgenre!

“Adriana Again” – Elbow
Elbow has been around since the turn of the millennium, making a unique brand of literate music that sometimes hits with me, sometimes totally misses. This track is a definite hit.

“Hammer” – Hana Vu
Not sure why it took me nearly a year to get to this track, but I’m glad I finally did.

“Coinstar” – Runner
I seriously thought about saving this track for next week. It is so, so good but I was worried it might get lost in this larger playlist. But when I listened to it one more time this morning, I decided I couldn’t sit on it another week. And hopefully by placing it last, it will stand out a bit. This isn’t an immediate add to that Best of 25 working list, but it is under serious consideration.

“What A Fool Believes” – The Doobie Brothers
My current morning routine is wake up, give our senior her first gentle, verbal nudge to get out of bed, come downstairs and read a chapter of whatever book I’m working on, and if she’s not out of bed in 20 minutes go attempt to get her moving again. I’m currently reading super producer Ted Templeman’s biography, which you’ll hear more about next week. This morning’s chapter was about the making of The Doobie Brothers’ Minute By Minute album, including the arduous process to record this, their second #1 hit. Despite being the biggest hit of their career, it was also the song that drove the classic lineup of the band to breakup. I’m going to disagree with my man Tom Breihan: I thought this was a terrific track when I was 7-8 years old and still think it’s pretty great. A neat trick, for 1979, on this video to include a live take of the song while also layering in Michael McDonald’s own background vocals.

Friday Playlist

We’re finally back in the normal swing of things this week. I’m pleased to say my various new music playlists are being refilled after the holiday break. I should have no trouble coming up with regular-sized playlists full of new music for the foreseeable future.

“Mallee Country” – Indian Pacific
Nothing like some lovely, jangle pop from Down Under to make you think of warmer days. Especially good on a day when our second snow storm of the week is expected.

“this is my california” – mary in the junkyard
This song would be a little more poignant, given current events, if this band was actually from Cali and not London. They sound like a mid-point between Mazzy Star and Big Thief.

“When He Comes Around” – TOLEDO
This band is neither from Toledo, Ohio nor Toledo, Spain. I guess they just like that word.

“Sanitized” – Katie Gavin
It’s not very often an album lands three different songs on my weekly playlist. Gavin has done that with her debut solo album. There’s a little Neil Finn quality to the music of this one.

“Nothing’s Ever Gonna Be The Same Again” – Darker Lighter
Salar Rajabnik lists on his biography that he was shaped by splitting his childhood between Tehran and Kansas City. That’s quite a combo! This sounds 100% like the alternative rock I heard on Music Choice back around the turn of the millennium.

“Nothing Compares To Nineteen” – Fiona-Lee
This singer sounds like at least two different Australian artists I can think of off the top of my head. Naturally that means she’s British. A really good song about the shit kids deal with today.

“Small Changes” – Michael Kiwanuka
One of my goals for 2025 is to listen to more of the great, new, modern soul music that is available. Part of that is because that’s one of L’s preferred genres – she’s gotten into Leon Bridges because of my influence – and while we have a lot of similar interests, this would be another good touch point for us. This is the first of several of songs in that vein I’ve added to my playlist of current music.

“Gepetto” – Belly
This week’s The Alternative Number Ones entry was about Belly’s “Feed The Tree,” which was number one for three weeks in the spring of 1993 (subscription required). This was one of my favorite posts in the series because Tom Breihan related how he was an eighth grader when Belly’s debut album came out, and in many ways Belly was THE alternative band to him at the time. While sharing Belly’s fascinating history – Tanya Donnelly was a founding member of both Throwing Muses and The Breeders before starting Belly – he also turned it into a big nostalgia piece for himself, talking about that part of his life and how music came to be important to him. His music writing is always great; this one was a little extra great.

Anyway, I loved Belly. I loved their first album Star. I’m pretty sure I bought their second album, King, the first day it came out. I loved it too. I was so bummed that broader musical tastes were changing and King and its singles made very little impact on the chart. So I loved this entry in the series. It made being a Stereogum subscriber even more worth it.

I bet most of my readers my age remember “Feed The Tree.” How many of you remember their next single, “Gepetto,” which was arguably better but peaked at just #8 on the alt rock chart? Total banger. Or, since Donnelly was from the Boston area, bangah!

Reaching For The Stars, Vol. 109

Chart Week: January 7, 1978
Song: “Don’t It Make My Brown Eyes Blue” – Crystal Gayle
Chart Position: #16, 22nd week on the chart. Peaked at #2 for three weeks in November/December 1977.

What is the first American Top 40 show I remember listening to? If you know me, you understand that I wish I could identify that broadcast to give it the appropriate commemorative post. My first vivid memories of hearing Casey’s voice for which I can clearly identify the year are from 1978. Mostly in the spring, after my parents separated for the first time, and my mom and I moved in with a friend of hers for a few months until we got our own apartment.

However, there are murkier memories from earlier that year in which I remember specific songs, but can’t be sure whether I recall hearing Casey introduce them on his program.

When I listened to this countdown there was a flood of recollections from this moment in my life. Specifically of a big snowstorm that hit southeast Missouri in January 1978, wiping out several days of school. Snow days are always awesome, but this time the Star Wars action figures that my parents got me for Christmas, which famously had to be shipped to kids all over the country weeks after the holiday, arrived the day before this bonus break. I remember sitting in my room playing with the most prized possessions I had owned to that point in my young life while we were stuck inside, the biggest hits of the day playing on the very cool, European clock radio my aunt and uncle had sent me from Germany.[1]

I’m guessing that storm came a little later in January than this countdown aired. So let’s say that sometime in the opening month of 1978 was the first time my brain registers me listening to Casey countdown the 40 hottest records in the country.

What entries sparked memories of that snowy month? Lynyrd Skynyrd’s “What’s Your Name,” “Sometimes When We Touch” by Dan Hill, “I Go Crazy” by Paul Davis, ELO’s “Turn to Stone,” “Just the Way You Are,” by Billy Joel, “We Are the Champions/We Will Rock You,” by Queen, and Styx’s “Come Sail Away.” I can hear them coming out of the speaker of that little radio as the sun reflecting off the piled up snow lit up my room. I can even feel the cold radiating off the window.

The tune that stuck out the most was Crystal Gayle’s biggest pop hit, “Don’t It Make My Brown Eyes Blue,” which spent three weeks at #2 in late 1977.[2] I think it registered the most because my dad loved it, and, under the tree for him on Christmas morning was a copy of Gayle’s We Must Believe In Magic album. I remember that LP vividly for two reasons. First was Gayle’s striking appearance. She was a dazzlingly attractive woman. I might have been just six, but I wasn’t too young to sneak peaks at her pictures on the album sleeve when my parents weren’t looking. I’m sure the photos were super wholesome, but it felt like I was getting away with something when I sat in the corner next to our record player and stared at them. Second, we had no country music in our house. Nothing even close. So, even as a wee youngster, I was surprised by the addition of an album by a “country star” to the family album collection.[3]

I think my dad, and tons of other people, liked it because it doesn’t sound country at all. It has a more jazzy, adult contemporary vibe. There’s just a hint of swing to it, as well, the gentlest cocktail hour nudge. Unlike Dolly Parton, who was at #5 this week with her delightful “Here You Come Again,” Gayle sang without any twang. “Don’t It Make My Brown Eyes Blue” certainly leans more towards cheesy, country club cotillion schmaltz than Hee Haw honky tonk.

That lack of true country character is remarkable because of Gayle’s geographic origins and sibling connection. She was born in Paintsville, KY, in the foothills of the Appalachian Mountains. You would expect her voice to drip of that hilly country, just like her oldest sister, Loretta Lynn. There was no mistaking where Lynn was from. On this song, at least, Gayle could just as easily have been from Southern California or New York as deep in the mining country of Kentucky. Some of that is explained by her family moving to Wabash, IN when she was four. Compared to rural Kentucky, Wabash was much more urban, which led to Gayle listening to all kinds of music other than country. And, apparently, softening her accent.

Casey referenced that biological link as he introduced “Don’t It Make My Brown Eyes Blue” this week. He noted that despite her reputation as one of THE queens of country music, Loretta Lynn had never had the kind of Top 40 success her baby sister was having. For years there were rumors the sisters didn’t get along because of professional jealousy. They both tried to quash that talk, but for some reason it came to define their relationship in the music press. You wonder if it started with relatively innocent comments like Casey’s. Or if it’s just because people suck.

Gayle would crack the pop top 20 a couple more times in the Seventies as a solo artist, then hit #7 with the Eddie Rabbit on the duet “You and I” in 1982. She was a monster in the Nashville world, though. She hit #1 a staggering 18 times on the country chart, with 16 other singles reaching the top 10. That’s a hall of fame career. I haven’t listened to any of those tracks, so I don’t know if she sounded more traditionally country on them, or if her voice always landed in that sweet range where no genre could entirely claim it.

I don’t love this song, but I don’t hate it, either. While lacking any regional identifiers, her voice is very nice. Gayle does an effective job portraying her sadness about a romance that is ending, but adds a subtle smokiness that should make her man want to come running back to her. Legend has it that it features the first studio take she recorded of “Don’t It Make My Brown Eyes Blue.” She took a couple more cracks at the tune, but the producer told her to stop, as her initial effort could not be topped. She doesn’t show off a huge range, but stays in a pocket where every note is perfect. To bad the rest of the track kind of stinks. But a pretty face and a pretty voice can go a long way. Especially when you are six. 6/10


  1. I’m not sure if this storm was connected to the Great Blizzard of 1978, which didn’t seem to hit Missouri. Some internet digging suggests that that winter was one of the snowiest in Missouri history, so it could have been any time in January/early February. Maybe it was this storm. I do remember we had to go to school twice on Saturday, for half days, to help make up the time we missed. I also found that the area we lived in got over two feet of snow in one storm a year later. I have absolutely no memory of that. Weird.  ↩

  2. It was stuck behind Debbie Boone’s “You Light Up My Life,” one of the biggest songs in chart history. Coincidentally “YLUML” it is also one of the worst songs in chart history.  ↩

  3. I received the Star Wars soundtrack album that Christmas, my first non-kid album. I was super bummed that it only contained the John Williams score to the movie and not Meko’s disco-flavored theme that had topped the Hot 100 that fall.  ↩

Friday Playlist

Still not back in a normal music groove yet, so today you get one of my occasional, fun, “let Spotify spit some random tunes out and make a playlist from them” deals.

“Spin The Bottle” – The Juliana Hatfield Three
What a great blast from the early Nineties.

“Needle” – Middle Kids
Even their “mediocre” songs from overlooked EPs sound great.

“Dance Of The Clairvoyants” – Pearl Jam
It was nearly five years ago we were excited about this PJ song. Who knew it, and the solid album it came from, were just precursors to their best music of the century in 2024.

“Safe European Home” – The Clash
My two, all-time favorite bands back-to-back? Spotify knows what’s up. Here The Only Band That Matters make fun of themselves for romanticizing Jamaica because of their love of reggae music only to have a very different experience on their first visit to the island.

“Unpretty” – TLC
When the best R&B group of their generation went indie rock…and it worked! I switched by CNN’s New Year’s show the other night and the TLC ladies were on, although they were being interviewed. I guess they had performed earlier in the night. Good for them! They were all bundled up so I couldn’t tell if Chilli is still as hot as I thought she was in 1992. I’m going to assume yes. This hit #1 in 1999.

“JackInABox” – Turin Brakes
One of my favorite songs from the mid-2000s when WOXY.com was my primary way of finding new music.

“South Side” – Moby
Remember when Mody ruled the world for about five minutes?

“Tightrope” – Janelle Monáe featuring Big Boi
KC homegirl in the house.

“(Can’t You) Trip Like I Do” – Filter and The Crystal Method
More late-Nineties, electronic goodness.

“Save It For Later” – The English Beat
One of the greatest songs of the Eighties.

Stats

As usual for the first post of the New Year, here are the artists I listened to most over the past 365, errr, 366 days. As you might expect, when Pearl Jam puts out a new album that is really good and also perform in Indy, they end up dominating.

  • Pearl Jam – 725
  • Middle Kids – 274
  • The War on Drugs – 197
  • Jack White – 188
  • Wild Pink – 170
  • Hurray For The Riff Raff – 153
  • Waxahatchee – 148
  • Crowded House – 131
  • Japandroids – 124
  • Spoon – 123

And now the all time numbers. Pearl Jam took over the top spot in 2023. The built a comfortable cushion in 2024.

  • Pearl Jam – 4604
  • Frightened Rabbit – 3908
  • The War on Drugs – 3577
  • The Beatles – 2629
  • Ryan Adams – 2364
  • The Clash – 2038
  • Crowded House – 1800
  • Radiohead – 1696
  • Bruce Springsteen – 1565
  • Bing Crosby – 1348

Complete stats available on my last.fm page.

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