Tag: music (Page 2 of 90)

Reaching For The Stars, Vol. 112

Chart Week: June 5, 1976
Song: “Love Really Hurts Without You” – Billy Ocean
Chart Position: #36, 10th week on the chart. Peaked at #22 for two weeks in May.

It’s always fun to be surprised when listening to old American Top 40’s. As I worked my way through this countdown, and glanced ahead at the list of songs on Top 40 Weekly, I did a double take when I saw Billy Ocean’s name.

Really?!?! Billy Ocean in a countdown from 1976?!?! I had no idea! I thought he was just an Eighties act. Even more of a surprise was that his first hit song was excellent.

Leslie Sebastian Charles began his recording career in 1969. For most of the early Seventies he recorded music and performed in clubs without much success. During the day he would hammer out demos in studios. At night, he worked a variety of jobs, including on the assembly line at the Ford Motor plant in Dagenham, East London. By 1975 Charles had adopted the stage name Billy Ocean, partially taken from a soccer team called Ocean’s 11 in his homeland of Trinidad.[1] Ocean’s debut album, called Billy Ocean, came out a year later.

One night while working at the Ford plant, Ocean heard “Love Really Hurts Without You” on a radio someone had tuned to Radio Luxembourg. He walked out of the plant as soon as he heard it, knowing that if his song was on the radio, his days of toiling to make ends meet were over. It was time to focus full-time on being a performer.

That move had mixed results. “Love Really Hurts Without You” reached #2 in the UK, #22 in the US. Ocean’s next two singles reached the top 20 in the UK, and 1977’s “Red Light Spells Danger” also peaked at #2. However none of those singles hit at all in the States. In fact, Ocean would not have a Top 40 American record again until 1984, when, out of nowhere, he hit #1 with “Caribbean Queen (No More Love On The Run).” Over the next four years he had two more #1 hits, two #2s, a #4, a #10, and two other top 20 singles in the US. An impressive, borderline legendary run.[2]

The roots of that stretch were in this song.

There is a heavy, classic Motown influence on “Love Really Hurts Without You.” Almost too much, to be honest. This could easily be a Four Tops song. Fortunately Ocean throws everything he has into his performance, which keeps it from sounding like just another Motown ripoff.

There’s an economy to the piece, how it quickly falls into a rhythm and nothing deviates from that even as progressive instruments, and eventually Ocean, join it. It grabs you right away and doesn’t let up until the final fade out.

Ocean is singing about a woman who breaks his heart by turning him on then leaving him alone as she goes home with someone else. Nothing about this song makes me think of a broken heart, though. There is some pain in Ocean’s voice, certainly some longing, but more than anything else, I hear a sunny smile. There’s an infectious joy to his voice that makes you focus on the general vibe of this tune. It swings. It is, as he describes his lady friend in the opening line, groovy. All that combines to make the song seem more like a shrug that acknowledges a missed chance at love that will be soon replaced by another opportunity. There are plenty of fish in the sea, good things come to those who wait, etc.

Maybe “Love Really Hurts Without You” was a little out of time in 1976, better suited to the Sixties. But hearing it for the first time in 2025, there ain’t nothing wrong with it. 7/10


  1. Yes, the soccer team was named after the old Frank Sinatra movie. Which, of course, has been remade and turned into a series since.  ↩

  2. The biggest of those were: “Loverboy,” #2; “Suddenly,” #4; “When The Going Gets Tough The Tough Get Going,” #2; “There’ll Be Sad Songs (To Make You Cry),” #1; and “Get Outta My Dreams, Get Into My Car,” #1.  ↩

Friday Playlist

After a slight lull, the music has really started to pile up again, so we are back to the thick and juicy playlists.

“Celebrated Summer” – Hüsker Dü
(Nods head.) Yeah, this is the good shit.

“Did I Say Too Much” – The Beaches
Serious Song Of The Summer vibes here.

“Inland Ocean” – Matt Berninger
With the NBA Finals featuring two teams from the middle part of the county, it seems like a no brainer to include this song. Especially since Indiana is right there in the lyrics. OMEN?!?!

“Not In Surrender” – Obongjayar
All kinds of goodness in this track. His voice reminds me a little of Sananda Maitreya’s (FKA Terrence Trent D’Arby).

“Chemical Reaction” – Debbii Dawson
Stereogum described this song as if “…a mad scientist blended a bit of ABBA, Dolly Parton, and a sprinkle of Queen.” You can’t go wrong with that combo!

“I Don’t Want To Die” – Good Looks
GL just released a Deluxe Edition of last year’s Lived Here For A While album. No surprise that every new song is exceptionally solid.

“Don’t Want To Know” – World News
This sounds like the result of combining a jam band with U2.

“Real Power” – Golomb
Dumb band name. Nothing wrong with this song, though. Yo La Tengo + Izzy Pop, maybe?

“That Summer Feeling” – Jonathan Richman
A summer classic.

“Come Out And Play (Keep ‘Em Separated)” – The Offspring
This week’s Alternative Number One, an absolute ripper that still rips now, no matter how silly and regrettable The Offspring eventually became.

Friday Playlist

This came together surprisingly well for it being a short, busy week. It helps that we are in Summer Music season.

“Constructive Summer” – The Hold Steady
Always good advice to build something in the summer.

“Andromeda” – Preoccupations
Not a bad song on the latest Preoccupations album.

“One Million” – Rocket
Other than “Cherub Rock,” I was never a Smashing Pumpkins fan, so it’s kind of weird I enjoy so many new bands, like this one, that mimic their sound. A lot of it has to do with the lead singer not being Billy Corgan. These kids will actually open up for the Pumpkins on their upcoming tour.

“Chemicals” – Split System
Good, old-fashioned, Aussie punk rock.

“Pacemaker” – Georgie & Joe
Am I hearing the early 90s in this jam?

“The Line” – Trace Mountains
As much as I like it when Trace Mountains leans into War on Drugs adjacent sounds, I also enjoy when they make music that sounds different and stands on its own.

“Get Out My Face AKA Bad Kitty” – Garbage
I liked Garbage’s first comeback a lot. This one lacks the energy and urgency of their best work. Still worth sharing.

“Summertime Is Coming” – Paul Banks
No lies told here.

“Fall Down” – Toad The Wet Sprocket
This week’s Alternative Number Ones entry. A nice change-of-pace by TTWS from the songs that first made them stars. Funny to read through their history and realize although they broke out right as the Alternative Music Revolution was beginning, their early, mellower singles were much bigger hits on the mainstream chart than the alternative one.

Friday Playlist

It’s the Friday before Memorial Day. That means it’s both time to break out the summer music and to play a song I always play this weekend. Two songs, actually.

“Jack & Diane” – John Mellencamp
Years ago, when we were still lake people, one of my better Facebook posts was something along the lines of “It’s not Memorial Day weekend until you’re drunk at the lake and you hear ‘Jack And Diane.’” We don’t have a lake house anymore. I don’t really get drunk, either. But we can still listen to Mellencamp to kick off the biggest weekend of the year in Indy.

“Sober” – Elbow
Speaking of not drinking…I’ve been hot and cold on Elbow over the years, but have been enjoying their most recent music.

“What’s Fair” – Blondshell
When Sabrina Teitelbaum first hit the scene she took a lot of heat for capitalizing on her father’s status and wealth to establish her career. With album #2 out, there’s no doubt she’s a legit talent.

“Radio Armageddon/What Rock Is” – Chuck D
Mistachuck is back! I listened to his new album last week. It’s solid, especially when considering that he is 64 years old. But so much of it, from his voice to the production to the arrangement of the songs, comes off as a B-minus version of his classic work in Public Enemy. These are the first two tracks on the album. They give you an idea of what most of the rest of the album sounds like.

“Metal” – The Beths
The Beths’ music almost always makes me happy.

“Bird On A Swing” – Cory Hanson
A dramatic shift in tone and sound from his last project, which was jammed full of Eighties-esque shredded solos.

“My Friend Dario” – Vitalic
It’s race weekend. Vroom vroom.

“My City Of Ruins” – Bruce Springsteen Live in Manchester, May 14, 2025

I attempted to include this in the playlist above, but for some reason it’s not showing up. Seems fishy to me. If you’ve been following the news this week, you know why this is here.

“Summertime” – DJ Jazzy Jeff and the Fresh Prince
DRUMS PLEASE!!!!

Friday Playlist

We’ve reached what may be the busiest 10–12 days of the year for our family. Thus I’m putting this together Thursday evening, which could lead us in some surprising directions.

“Friday On My Mind” – Brògeal
This seems like a good way to start. When writing about this band, Tom Breihan said, “They look and sound like the most Scottish motherfuckers you ever saw in your entire life…” which might be the greatest description of a band ever.

“Better Than You” – Briston Maroney
A standard, solid Maroney jam.

“My Love Will Bring You Home” – Allo Darlin’
This band was responsible for the wonderful “Capricornia,” my 13th favorite song of 2012. Their last album was 11 years ago. They broke up nine years ago. But they are back together, and seem to have locked right back into that joyful yet also melancholy sound of their first go-round.

“I Broke My World” – Alien Boy
I dig this band’s fuzzy, garagey sound. While putting together their latest album they said they listened to a lot of 90s music, including Smashing Pumpkins and Third Eye Blind. I can hear both of those bands in this track.

“Come Alive” – Phantogram
I’m not sure if I ever listened to Phantogram’s latest album, which came out seven months ago. But each time a hear a song from it, I like it.

“Sports Gun” – Lawn
I was almost positive this band featured the lead singer of Parquet Courts. It is not him. I think I like this band’s sound better than PC’s. They seem less snotty and more fun. Better guitars, too.

“Bitch Heart” – Frankie Cosmos
A fun song about how we are in a constant battle between comfort and cutting loose.

“Solid” – Cut Copy
I feel like I used to like this band, but even digging through the old iTunes library on my network drive doesn’t show that I had any of their songs. Memory is weird sometimes.

“Sister Jack” – Spoon
This week’s anniversary album is Spoon’s Gimme Fiction, released 20 years ago. I have vivid memories of listening to it on my iPod in the basement of our old house while trying to nap while S would do things with Baby M upstairs. Here’s Stereogum’s anniversary writeup. One of my top 5 Spoon songs.

“Go Your Own Way” – Fleetwood Mac
Nope, not including this because Will Ferrell sings it in his current commercial. Rather, it is here because of a delightful development in our house. L has been getting into vinyl recently. She has albums from a few of her favorite current artists like Frank Ocean, SZA, and Leon Bridges. A few weeks ago she came home with Fleetwood Mac’s Rumours, which made me raise my eyebrows. A few days ago she said they are now her favorite band. I told her she should go find one of several documentaries about the making of that album so she could learn about what a mess the group was at the time. “I’ve watched a couple of them already,” was her response. I told her the Seventies were a wild time. I think she wants to read and/or watch Daisy Jones & the Six now, knowing it was loosely based on Mac. Surprising all around!

Weekend Notes

Well that was a fantastic weekend! Belated Happy Mothers Days to all the moms out there. I hope you had as good of weekends as we did.


Visitors

Our good friends Dave and Maureen visited from KC over the weekend. The reason for their trip, other than hanging out at blog headquarters, was so Dave and I could watch Bob Mould play some rock ’n’ roll Saturday night. Maureen was nice enough to share her Mother’s Day weekend with us old men. I’m comfortable speaking for us all in saying that we had a terrific time together.

Friday evening we took them to Harry & Izzy’s for shrimp cocktail and steak/fish. I tried to get us into St. Elmo’s downtown, but with it being Grand Prix weekend they were already totally booked when I checked a few weeks back. H&I gets you 90% of the St. E’s experience, and as it is 10 minutes from our house, a little easier to get to. The shrimp never disappoints. As I get older I can tolerate the horseradish a little less. Sigh.

Saturday we did brunch at one of our favorite spots then did a tour of the city, including getting out to walk around/have a beer on funky Mass Ave. Maureen is an IU alum so she spent some time in Indy back in the day and was familiar with the bones of the city, although a lot has changed since she returned to Missouri in 1993.

Saturday night Dave and I went to the show with another local buddy. More on that in a moment. The wives drank wine, watched a movie, and chatted. You should not be surprised that two short, opinionated, Irish women got along famously. We should get them to run for office.

For Mother’s Day, Dave and I whipped up a spread for the ladies (and our girls) that was well received. Then we enjoyed the gorgeous weather by sitting outside for their final few hours in town.

All-in-all a terrific visit. Our many mutual friends who read this should be excited to know that the ladies came up with all kinds of fun plans for when we all are empty nesters in a few years.[1]


Bob Mould

Wow I’ve never been to a show quite like what the 65-year-old punk/indie rock legend put on Saturday.

It was at the Hi-Fi, a very small club in the quirky Fountain Square area just south of downtown. Capacity is 500 people and it’s honestly not much bigger than our swimming pool. The place was jam-packed with people who, from the looks of it, mostly went waaaaay back with Bob. Dave and I were some of the youngest people there.

What made the show unique is how Bob and his band played. They took the stage, he said a few words of greeting, and then ripped into the songs and never really stopped. Six-straight songs without a break of any kind. Then a quick swig of water and right back to it. About an hour into the show he paused for about 30 seconds to thank the opening band then introduce his bassist and drummer, then into the next song. I believe one other time he made a few quick comments but other than that, zero banter, and generally straight from one song to the next. For an hour and 25 minutes or so. With nary a ballad in the setlist. Just an absolute blowtorch of a show. Bob is a large man in his mid–60s. But he is up there shouting and screaming and playing insanely loud guitar without interruption. There wasn’t even an encore. Just 27 songs with maybe two or three collected minutes of breaks between. Super impressive. And super entertaining.

Despite our hopes that as it was the next-to-last stop on the tour he might throw a few surprises at us (Sugar songs!), he stuck to the rigid list he’s been playing all tour. The only minor disappointment on the night.


Last Day of School

Friday was C’s final day of normal high school classes. She has to go back tomorrow to take one test but otherwise is done. I was a little surprised she wasn’t more excited when she got home Friday afternoon. Over the course of the weekend I realized I think she’s a little emotional about the moment. Not that she loved high school all that much, but rather the weight of everything that is happening is coming down on her. And as our sensitive, anxious, ADHD kid, that means she’s not jumping for joy at being done with CHS.

L has one more week of regular classes and then finals next week before she is done. C’s graduation is a week from today then her party will be on Memorial Day. You are all welcome to join us!


Pool

The pool is open. The water warmed up the quickest it’s ever gotten to a reasonable temperature, reaching 80 early Sunday morning after starting in the low 60s. That’s what some good, bright, May sunshine will do for you. Some of the nephews came over and swam Sunday afternoon. The water was getting cloudy Sunday evening so I’m already in the early struggles of getting the chemistry to a good baseline.


New Pope

Hey, we got a Pope from Chicago! I’m pleased that he’s already on record basically calling our vice president a liar. Although he better watch out; Pope Francis didn’t survive 24 hours after meeting with J.D.

Just like when Francis was elected, M was the first person to let me know the process was complete. She came running down Thursday afternoon and yelled, “There’s a new pope!” I guess she’s my go-to source for pope news.


Pacers

I missed most of Friday’s game three as we were out eating with the V’s. By the time we got home the Pacers were down around 20, and while I guess they made a run to cut it to seven at one point, Dave and I decided to watch the end of the Royals walk-off win instead. Good choice.

And then came Sunday’s game four.

When I was 12 or 13, I went to the old NAIA tournament in Kansas City.[2] The night we went was in the quarter- or maybe semi-finals, and Ft. Hays State, where my parents went to school, was playing. The Tigers were an NAIA power at the time, winning back-to-back titles in 1984–85, and a ton of folks had made the four-hour drive to KC for the tournament. They filled most of Kemper Arena that night. Anyway, I vividly recall a guy wearing a shirt with the old, iron-on letters that said “Ft. Hays Basketball Is Orgasmic.” I wasn’t sure exactly what that meant but still found it to be very funny.

That might be the best way to describe Sunday night’s game four. Or at least the second quarter. And just for Pacers fans, obviously. That was one of the most thorough ass-whoopings I’ve seen in an NBA playoff game. Although the Pacers kind of did the same thing to the Knicks last year in game seven at MSG.

The Pacers were clearly the best team from the start. A bigger deal Sunday since the Cavaliers began the game with all their normal starters on the court. Indiana led by 15 at the end of the first quarter. Early in the second quarter Bennedict Mathurin got ejected for “striking De’Andre Hunter in the sternum with a closed fist.” It was some typical bullshit all around: Mathurin for taking the swipe, which was far closer to a love tap than a punch, Hunter for somehow not also getting tossed for responding with way more force than Mathurin used in his initial “punch,” and the refs for looking at the replay for five minutes and somehow coming to that conclusion.

Anyway, it was a dicey moment. Would the Pacers be able to hang on without one of their most important bench players?

They only outscored the Cavs 42–16 in that quarter, so I guess they weathered the storm. I’m not sure what the right nature analogy is, but it was either a tornado, hurricane, avalanche or tidal wave that blew Cleveland off the court. It was breathtaking. Or even orgasmic if you’re into that kind of thing.

I normally get somewhere from antsy to upset when a team continues to press when they get up by 20–25 points. At least at L’s games. But the Pacers were pressing up 40 late in the second quarter and I loved every second of it. They ripped the hearts and souls out of the Cavs in that quarter, and at the risk of jinxing the final series outcome, I don’t see any way Cleveland can recover. The Pacers are the better, more cohesive team right now. Donovan Mitchell sat out the second half with an ankle injury. Darius Garland played but is clearly still hobbled.[3] Crazy things can happen in sports so you don’t want to get ahead of yourself. But the craziness in this series seems to be that the #1 seed in the East will get run out of the playoffs in round two.

Also, Cleveland remains a cursed sports city. One of the best regular season teams in league history and they’ve been decimated by injuries and bad luck for the past week. Folks in northeast Ohio probably saw this coming.


  1. There are a lot of you, including D&M, who are reaching that point this year. Two more years for us.  ↩
  2. I know there is still an NAIA tournament, but this was back when a lot of schools that are currently in NCAA D2 were still NAIA programs and you would see some genuinely good ball with a fair amount of players who would reach the NBA.  ↩
  3. Props to him for falling down, completely on his own, when he tried to cut on his bad toe, rolling into T.J. McConnell, and somehow drawing a foul on McConnell despite traveling and initiating the contact. The refs have not done a great job in this series.  ↩

Friday Playlist

I feel like I’m settling into my new groove after the switch to Apple Music, finding a better balance between the old and new music. I think you’re going to like this week’s choices, which includes a couple special tracks.

“Black Confetti” – Bob Mould
Hey, I’m seeing Bob Mould tomorrow night! And my brother-in-music Dave V. is coming to town to join me! I’m very excited to see the legend in person…and Mr. Mould, too.

It is a slight downer that Mould seems to be playing pretty much the same 27 songs each night, and there isn’t a single Sugar song in the setlist. I’m sure he has a reason, but as much as I admire his Hüsker Dü work and enjoy his 30-some years of solo efforts, I think he hit his peak in his Sugar days. A minor complaint, though. And, who knows, maybe he’ll throw caution to the wind and mix things up for us good folk in Indy. I bet it’s still going to be freaking awesome and I won’t be able to hear for a week after.

“Tyrants” – Sam Fender
Another example of an artist releasing a pretty good song not too long after releasing a pretty good album. In this case, “Tyrants” goes back a few years and Fender has played it live many times, but this is its first studio recording, released for Record Store Day ’25.

“Running of the Bulls” – Le Pain
Funny how a name and a sound can fool you into thinking a band is from somewhere far from where they actually hail from. This sister act is from LA, but they sure seem French to me. Until the guitars explode at the end, then they seem very LA.

“Neverender” – Justice with Tame Impala
Well this group is French. Or at least Justice is. Kevin “Tame Impala” Parker is from Australia. Hey, you got your French electro pop in my Aussie psych rock!

“Real Good Dream” – Acid Dad
Good, spring-ish, synth pop.

“Your Little Hoodrat Friend” – The Hold Steady
We’ve reached the anniversary portion of this week’s playlist. THS’ legendary Separation Sunday just celebrated its 20th anniversary. This song blew me away the first time I heard it, and still does every time I play it to this day. Tom Breihan wrote a predictably great accounting of the album. She’s been callin’ me again…

“Listen Like Thieves” – INXS
And Listen Like Thieves just turned 40. “What You Need” was the bigger hit, but this is my favorite song not only off that album, but maybe from the band’s entire discography. This is a new remix from the 40th anniversary re-issue which is out today.

“May Ninth” – Khruangbin
And guess what today is?

“Brimful of Asha” – Cornershop
Remember when these guys had a tiny moment? Most of you probably just responded “No.” It was such a short moment it was easy to miss. A remixed version of this track went to #1 in the UK but was a minor blip here, making it to #16 on the Modern Rock chart. Great song, though. And cool video.

Friday Playlist

As I shared many words about earlier this week, my switch to Apple Music means I’m pulling more songs from the past up into my daily soundtrack. Which means these playlists are going to start including more classics. Which was my intention back when I started them however many years ago. There will still be plenty of new music if that’s why you come to these posts.

“Rock ’n’ Roll High School” – Ramones
We are a week and change from having just one high schooler left in the house.

“Somebody New” – Tunde Adebimpe
I said I was looking forward to his album, then didn’t get around to listening to it when it came out. And now this is the best of the singles released from it, each sounding a little different.

“Every” – Swanpalace
An interesting supergroup of sorts, built around two artists most of us have never heard of along with Jim Eno, a founding member and long-time drummer of Spoon. This has a terrific, late Seventies sound. To my ears it bumps right up next to Cheap Trick.

“There’s A Part I Can’t Get Back” – Sunflower Bean
A truly harrowing, yet beautiful, song about how grooming steals innocence from its victims.

“Outside” – Jawdropped
A hint of grunge in this jangle rock makes it stand out nicely.

“Cutting Room Floor” – Gordi
These last four songs all fit into some kind of musical Venn diagram I’m too lazy to clearly delineate. But Gordi sounds a lot like Christine McVie on this track, so it would pull in some Fleetwood Mac angle I guess.

“Month of May” – Arcade Fire
The most important month of the year in Indianapolis is here. Also, AF has new music out but I did not dig their lead single so I’ll stick with this more time-appropriate oldie.

“Dead Souls” – Joy Division
I know I just shared a JD song a couple weeks back, but I heard this one yesterday and had to slap it into the playlist.

“Rock the Bells” – LL Cool J
Talk about mission statements! Back in the days of vinyl/cassettes, sometimes the first track on side two was as important as the first on side one. This was Side Two, Track One on not only LL’s first album, but the first full length album ever released by Def Jam. Dropping Bruce Springsteen, Madonna, Michael Jackson, and Prince’s names seemed outrageously ambitious at the time. But James Todd Smith knew where he and the label were headed.

Not sure why a new video was released for this two months ago but I like it.

A New (Old) Musical Home

As I wait out some morning storms before I head over the gym, it seems like the ideal moment to share (or at least start the post that shares) my latest music project.

For months I’ve been thinking about writing a lengthy post about how I don’t upend my digital life as often as I used to. People close to me experienced this when I changed my email address, moved where I published our family pictures, or even adjusted where this site was located far too often. A pain in the ass to you, I knew. But, dammit, I needed to try all the cool digital toys that were available!

This nomadic quality was more apparent if you were to look over my shoulder and see how I interacted with my Macs on a daily basis. I’d switch text editing apps each time a new one dropped. Digital junkdrawer apps came and went even more frequently. A new browser drops? Of course I’m going to import all my bookmarks and give it a shot. And so on. If there was a buzzy new app, I was going to give it a shot, no matter the headaches it caused through moving files around and changing workflows.

I’m not sure exactly when, but at some point I stopped doing this. Or at least slowed it way down. This site has looked the same for, what, 5–6–7 years now? I did switch hosts at one point because of access issues with a previous provider, but I don’t think any of you noticed that unless you tried to check in right when I was moving things around. And I’ve been parked at this URL since right around when we moved into this house, I believe.

Same for the apps I use on a daily basis. I’ll occasionally try something new that I read a review of. But, more often than not, I go back to the ones I’ve been using for years.

Is this all because I’m getting old and don’t like change? Or don’t have the patience to deal with all the extra baggage that comes with switching around constantly? Or have apps largely coalesced around a common set of design language and functions so one really is like the other, compared to back when I ran multiple different podcatching apps that did very different things?

I think we can blame the rise of the iPhone/iOS for some of this as well. I want to be able to accomplish the same tasks the same ways on different devices. It’s harder to switch around when testing something on the Mac breaks how I do things on my phone.

There’s your standard, long-ass introduction to my actual point: for the past two weeks I’ve been testing Apple Music with the goal of switching to it from Spotify.

Big news!

I’m not sure when I first started using Spotify. Somewhere in the range of 10–11 years ago, I guess. Rdio was the first streaming service I used, and to this day nothing has matched its community discovery aspect. When it started to circle the drain, I tried Apple Music. I was deep in the Apple world already and all my old iTunes files would seamlessly blend in.

The only real problem with Apple Music at the time was that it totally sucked. I would listen to a playlist on my iPhone then the next time I used my Mac, there would be two versions of that playlist. Then go back to the iPhone and a third would pop up. I was never really sure why this happened, but it was infuriating.

After a few months of this I bailed for Spotify and never looked back. Spotify, to use an Apple phrase, just worked. And for several years they seemed to have a better selection of music than Apple.

I’ve had no qualms with how Spotify worked since then, although I do have issues with some of their business practices. There were things I wish it did better, but for the most part it did its job.

Every so often I get an offer for a free month of Apple Music. Several times I’ve spent about 10 minutes dicking around on AM before deciding it was too much work to jump. Plus our girls all love Spotify and I couldn’t convince them that their playlists could be copied over to AM easily.

So what changed? Last month I got a new iPhone. With it came the normal offers for free Apple services. The one that grabbed my attention was the Apple One service. I already paid for a higher iCloud storage tier. What attracted me was the access to Apple News+, which would get me behind the paywall of several good magazines and newspapers. I pay for Apple Arcade a few times a year for the girls, and that would roll into it, as well. We would have constant access to Apple TV+ instead of buying it only when shows we like are new. Plus my iCloud storage would take another jump up. Apple Music would be an easy swap for Spotify as part of this process.

I crunched the numbers and once the free trial was over, while I would be paying Apple quite a bit more, the value proposition aspect worked.

Thus I signed up for the free trial and spent an entire weekend getting all my Spotify songs and playlists into Apple Music.[1]

The first thing that struck me was how much AM is still built on the old iTunes architecture. Most notably you can rate songs and make smart playlists based off of all kinds of user selected options. That’s how I interacted with my library the first 12–13 years of the digital music era. It felt like being home again.

At the same time it pissed me off my music geek brain that I had spent so long on Spotify. That was over a decade of play counts, ratings, and other data that was just lost since Spotify didn’t track any of. At least publicly. Suddenly the nearly 4000 songs in my library were all brand new.[2] It’s going to take a few weeks/months to get each track played a few times so the smart playlists can start doing their magic.

For all the annoyance that comes with that process, that is exactly why I think I’m going to stick with Apple Music. Because Spotify lacks those two key features, I find older music gets lost in the shuffle. Literally. Unless I’m listening to an album, I almost always listen in shuffle mode. Because I can’t tease out songs that are old and haven’t been played for a while via smart playlists, or force it to select songs I like the most, it seems to focus on the newer tracks I’m listening to more often. Which makes sense, but also takes away some of the magic that iTunes had by always inserting cool old songs in the midst of new ones.

There have been growing pains. In Spotify adding a song to a playlist does not automatically put it into your library. For example, I kept all my Christmas music in distinct playlists that are hidden away 11 months of the year without adding them to my Liked Songs. So I never get random holiday tunes included when I am shuffling. In Apple Music, tracks are either in your library or not. On the Mac I can uncheck all those holiday songs and they get skipped over. But to the cloud they are still in my library. So listening on my phone, iPad, or in the car can bring those unwelcome surprises of songs meant for December.

It was also enraging that I had to download a separate app to control Apple Music across devices. If I am playing Spotify on my Mac, I can open their app on my phone, see what is playing, control the song, volume, and which speaker the audio is going to natively. I had to do a ton of research, download a separate app, then jump through a bunch of hoops with my Apple account before I could mimic that in Apple Music.

I also had to dive deep into some settings in all that mucking about to get play counts to track across devices. That probably seems dumb to 99.9% of you. My Smart Playlists rely heavily on play count information, so not being able to track those across different devices hampers their effectiveness.

You really would expect that Apple Music would be the service that worked seamlessly across devices and Spotify be the one that took the extra work to build this system.

The Tesla AM app is also a little wonky. Certainly less reliable than Spotify. Both have their quirks in connecting to the network, but Apple Music is more likely to get stuck in a loop where it only loads a few songs and loops back to the first rather than continuing to work through the playlist/library.[3]

The past two weeks I’ve been trying to remember how I organized my music all those years ago in the iTunes era. What were my favorite smart playlists? How did I rate songs? And so on. The goal is to create a Daily playlist that splits the difference between the newest music in my library and older tracks. I think I have the rules adjusted close to how I had them 15 years ago, but, again, I’m going to need to work through my library a few times to make sure they are where I want them to be. Songs I haven’t heard in ages that are indeed popping up, which is good. Hopefully the benefits like that outweigh the annoyances where Apple Music does not match Spotify.

How will this affect you, my loyal readers/listeners? Hopefully not at all. Other than reading this blog post. The girls have talked me into letting them stay on Spotify. Which means I am paying for two music streaming services. The benefit to you is that I can continue to share my Friday Playlists from Spotify, something that is not possible in Apple Music. I’ll build them in AM over the course of the week. Then on Friday mornings I’ll launch Spotify, quickly pull those songs together and insert that playlist into WordPress as I’ve been doing for years.


  1. I used Playlisty for Apple Music. It takes some manual effort, but pulls all your Spotify songs and playlists across to AM. There were a few times it picked the wrong version of a song, but otherwise a great utility.  ↩

  2. I was also able to trim a lot of duplicates that were hiding in Spotify, plus some songs I’m not into anymore. All told, I’m about 400 lighter than I was two weeks ago.  ↩

  3. Coincidentally, Tesla just dropped their big, spring software update. Included in it was an update to the Apple Music app that allows it to shuffle through playlists that have more than 100 songs in them. I’m not sure why that was still a limitation in 2025.  ↩

Friday Playlist

A slight change-of-pace this week. I’ve been working on a new music project this week that has slowed down my processing of the new songs considerably. (I’ll share more about that project next week.) Plus a couple of these songs/bands are tough to Google, so I wasn’t able to find out much about them. As a result, a slightly more lean playlist than we’ve had recently. We should get back in the regular flow for the first playlist of May.

“Full of the Joys of Spring” – The Sundries
What a joyous week this was, at least in terms of the weather and feeling like spring, etc. Bright, warm, sunny days. The grass is thick as hell after all our recent rains. All the trees, plants, and flowers are budded and bloomed and otherwise looking healthy after the retreat of winter. I’m regretting not opening the pool sooner. Next weekend the lows are going to be in the 30’s°, a good reminder that I did NOT open the pool yet because I didn’t want to pay like we were heating the house in January to get the pool to a reasonable temperature.

“Loline” – The Bats
The Bats have been together, without changing their lineup, for 43 years. Which is amazing. They sound like a band that came up a long time ago, and I mean that in the best way. Here they sing about a popular bike from their homeland of New Zealand.

“Come Down” – Reb Fountain
Where The Bats 100% sound like a band from New Zealand, this singer sounds more like she’s from the UK and influenced by the trip-hop acts of the Nineties. She is, though, a Kiwi, too. And that’s about all I can find about her.

“It’s Your Funeral” – Ultra Lights
Another band that is hard to Google. I would have guessed they were the next, snotty, kind of arty, New York garage band, in the line of The Strokes and Parquet Courts. But they are from Atlanta. Which is wild.

“At Zero” – Dream, Ivory
I’ve been kicking this song around for a few weeks, never sure whether I should include it or not. Luckily for this brother act, I kept it around long enough to run into a week light on music so I had to finally use it.

“In This Mess” – Say Sue Me
I just included a SSM track last week. But when they drop a song this good immediately after, there is no waiting period before I share it. Holy shit, the guitars!

“Give It Up” – 8mm
Long-time music followers will remember this from the early days of my podcast. I’m not sure if I first played this in 2005 or 2006. I do remember it came on the advice of a brother-in-music I’ve lost touch with, and our shared joke was this song was so sultry that we felt like we needed to confess something to our wives after listening to it.

8mm actually has some new music out. Their new song is ok, but doesn’t stand up to this classic.

“Take A Walk” – Neil Finn & Friends
I missed honoring the greatest concert series ever earlier this month while we were on break. With two other New Zealand acts in this week’s PL, seems like the perfect moment to rectify that oversight.

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