Day: April 21, 2017

Bonus Video

“Starfish and Coffee” – Prince

A year ago I was watching this video – one of the few Prince videos available on YouTube at the time – in tears. Still can’t believe he’s gone, especially as we learned about how troubled his final days/years were.

I’ve read a couple retrospective pieces about Prince today, and one of them included this video. Which was ironic because, in prep for my nephew’s morning nap, we listened to the song together three times: two times through the Prince version, and once through Renee Stahl and Maya Rudolph’s version. I guess Prince was on my mind already, I was tired of singing “Wheels on the Bus,” and figured who better than Uncle D to introduce him to some Prince?

The version I saw last year didn’t have the lead into the song, or the segment after. Seeing those just make this piece even greater.

Friday Photo

This or That, Fujifilm X-T2, Fujinon XF35mm f/2 lens at f/4.0, 1/1400 sec, ISO 200

I took a walk last week at Holliday Park, which is a big, gorgeous, old park wedged in between a few historic neighborhoods on Indy’s northside. It has a huge playground, some cool trails down to the White River, and other interesting things to take pictures of.

I love the large, stone trail markers that are set throughout the park’s wooded areas. Each time I visit, I take dozens of photos of the various markers, hoping that one or two end up being unique. It was purely by accident, but I caught the light and shadows just perfectly on this attempt.

Friday Playlist

It’s a throwback day around our house today. I’m watching one of my 11-month old nephews for the day. It feels like 2005, 2007, or 2009. So I thought for the Spotify portion of the Friday tunes, I’d pull three songs from those years when I was spending each day with my 11-month-olds. There’s some humorous subtext to at least the title of each song.


“Celebrate” – Little Dragon featuring Agge. Appropriate as we passed the one-year anniversary of Prince’s death yesterday, this song sounds right out of his studio circa 1987. This, easily, could have been something he wrote for Sheena Easton. It’s brand-new, though.

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